American literary mastersVincent, Leon H. (Leon Henry)
History
American literary masters
Vincent, Leon H. (Leon Henry)
American literature -- History and criticism; Authors, American
Holmes wrote three novels. Although readable, original, based on a
thorough comprehension of the scenes described, the life, antecedents,
prejudices, habits, and manners of the people portrayed, nevertheless
they strike one as being experiments in fiction rather than true
novels. They may be classed with similar attempts by J. G. Holland and
Bayard Taylor. Each of these writers was a practised craftsman. The
trained man of letters can write a volume which he, his friends, his
publishers, the public, and many fair-minded critics agree in calling
a novel. But the book in question does not become a novel from having
been cast in the orthodox form. It resembles a novel more nearly than
it resembles anything else, nevertheless it is not a veritable novel.
Any reader can feel it, though he may not be able to say just where
the difference lies, or how there happens to be a difference. Many
a writer, it would seem, has only to continue his efforts to arrive
finally at the making of a true novel. He falls short because his mind
is working in an unwonted medium rather than because he lacks inventive
ability.
If _Elsie Venner_ and _The Guardian Angel_ fail of being true novels,
they are at least highly successful studies in fiction and have given
and will continue to give a world of pleasure. If _A Mortal Antipathy_
falls short of the excellence attained by the other two, it has at
least the virtue of having been written by a man who could not be
uninteresting, no matter what was his age or his humor.
_Elsie Venner_ is a study in prenatal influences. The motive is
gruesome enough. A young woman, bitten by a snake, transmits certain
tendencies thus derived to her child. The subject was better adapted
to Hawthorne’s pen than to the Autocrat’s. A man of science knows
too much. Imagination is hampered. ‘What is’ and ‘What might be’ are
in perpetual conflict. A poet (such as Hawthorne essentially was)
throws science to the winds. Holmes goes at the problem in a brisk,
business-like way. Hawthorne would have treated it as a mystery, not
dragging it into broad light.
_Elsie Venner_ was dramatized and staged. Holmes went to see it. What
he thought of the play at the time is not recorded, but in after years
he pronounced it ‘bad, very bad.’
Public-domain text, read in full here on John Shaqi.
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