American literary mastersVincent, Leon H. (Leon Henry)
History
American literary masters
Vincent, Leon H. (Leon Henry)
American literature -- History and criticism; Authors, American
The treatment then is strongly partisan. There is a fervor in the
account of the deeds and sufferings of those patriots who thought no
sacrifice too great if thereby the sum total of human liberty was
increased.
Motley does not pretend that the leaders in this struggle were always
disinterested. The motives swaying humanity are wondrously complex.
But after all deductions are made, it was a struggle of light against
darkness, and with such a struggle it was possible to sympathize
unqualifiedly. There are cool-blooded critics who view such an attitude
with disdain. This, they say, is not the temper in which history should
be written. History must be calm, impartial, scientific. Perhaps
the reasonable reply is that history must be of many sorts and the
product of many types of mind; that one sort never really excludes
the other. Also it is well to remember that a great historical master
of our time,[50] and one whose creed was by no means narrow, pleaded
always for this deep and passionate motive in the work, and laughed at
the modern Oxford product which can balance questions but is able to
accomplish nothing.
Motley’s historic canvas is crowded with figures. The eye is at first
drawn toward the personages, the military, ecclesiastical, and princely
chiefs, William of Orange (who is Motley’s hero), Egmont, Alva, and
Granvelle; but the eye does not rest on these alone. Surrounding them
are the multitudes of aspiring, suffering people becoming more and more
a preponderant force in the life of the nation, refusing to be disposed
of in the lump, or driven about like a flock of sheep to be sheared or
slaughtered at the whim of a monarch.
Public-domain text, read in full here on John Shaqi.
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