American literary mastersVincent, Leon H. (Leon Henry)
History
American literary masters
Vincent, Leon H. (Leon Henry)
American literature -- History and criticism; Authors, American
His whole subsequent career is but a variation on the themes of 1846
and 1850. He went everywhere,--to Egypt, Palestine, Syria, Asia Minor
(1851–52); to Spain and India, then on to China, where he joined
Perry’s expedition to Japan (1853). He was in Germany, Norway, and
Lapland in 1856, in Greece in 1857–58, in Russia in 1862–63 (where for
a while he held the post of secretary of legation), in Switzerland, the
Pyrenees, and Corsica in 1868, and in Egypt and Iceland in the same
year (1874).
All his adventures were transmuted into books: _A Journey to Central
Africa_, 1854; _The Lands of the Saracen_, 1854; _A Visit to India,
China, and Japan in the Year 1853_, 1855; _Northern Travel_, 1857;
_Travels in Greece and Russia_, 1859; _At Home and Abroad_, 1859; _At
Home and Abroad_, ‘second series,’ 1862; _Colorado_, 1867; _By-Ways of
Europe_, 1869; _Egypt and Iceland_, 1874.
A part of the great success of these books was due to causes far
from literature. Doubtless, if written to-day, the volumes would be
read, but it were idle to suppose that they could have the vogue they
enjoyed in the Fifties. The American public of a half-century ago was
not nomadic. It had few ways of gratifying its thirst for knowledge
of foreign lands. Photographs were so expensive that one seldom ran
the risk of being obliged to sit down with a friend ‘just back from
Europe’ to admire such novelties as the Leaning Tower and the Bridge of
Sighs. The oxyhydrogen stereopticon was imperfect, the panorama clumsy
and ill-painted. Therefore the writings of a man who had the knack of
telling agreeably what he had seen were most welcome. The home-keeping
public enjoyed also hearing the traveller talk. When Taylor lectured
(for he became one of the most popular lecturers of the day) they
crowded the hall and thought two hours of him not long enough.
Timeliness, however, does not explain all the success of _Views Afoot_
and its companion volumes. Taylor was an excellent writer even when he
wrote most hastily. If his word-pictures were often highly colored,
they possessed, among other virtues, the great virtue of having been
painted on the spot. Through their aid one could really see what Taylor
had himself seen.
Public-domain text, read in full here on John Shaqi.
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