American literary mastersVincent, Leon H. (Leon Henry)
History
American literary masters
Vincent, Leon H. (Leon Henry)
American literature -- History and criticism; Authors, American
This _History_ was so long in the writing that Bancroft’s style changed
materially. The opinion prevails that his diction improved as the
work proceeded, that the later volumes are uniformly less inflated,
strained, and ‘eloquent’ than the earlier ones. It is true that he
made innumerable revisions of the text. The changes were not always
improvements. Sometimes in rewriting a sentence he made it less
energetic. Strong expressions were softened. A plain old-fashioned word
would be taken out; often it carried the whole phrase with it. Whether
the literary or the historical sense dictated the change in question
cannot always be determined.
Bancroft’s diction is manly and forceful, but it lacks natural grace
and suppleness; it is flexible as chain armor is flexible, but not
as is the human body. It may be doubted whether he is ever read for
literary pleasure. Nevertheless, scattered through these twelve volumes
are hundreds of passages well worth the study of those who enjoy an
exhibition of mastery in the use of words.
IV
_THE HISTORY OF THE UNITED STATES_
One does well to read Bancroft in the tall, wide-margined, and almost
sumptuous volumes of the original editions. The page is open and
inviting. Both text and notes have a personal flavor very diverting at
times. There is no question as to the usefulness of an attractive page
in works of this sort. Political histories should be made easy, not by
picture-book methods, but by the legitimate arts of good printing.
The work is generously planned. Twelve octavo volumes are required to
bring the narrative down to the ratification of the constitution.[16]
Three volumes, comprising nearly fifteen hundred pages, are given to
the Colonial period alone.
Bancroft announced his theory of historical writing in the preface of
1834. He was to be controlled always by ‘the principles of historical
scepticism,’ and his narrative was to be drawn ‘from writings and
sources which were contemporaries of the events that are described.’
Nothing commonly supposed to belong to American history was to be
retained merely because it had been unchallenged by former historians.
The treatment, as shown in these volumes on the Colonial period, is
in perfect accord with the author’s conception of the dignity of the
subject. The matter is as stately as the manner. Bancroft writes
history as a lord high chamberlain conducts a court function. He feels
that during the ceremony of discovering a world and planting a nation
there should be no unseemliness, certainly no laughter or disturbance.
Public-domain text, read in full here on John Shaqi.
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