American literary mastersVincent, Leon H. (Leon Henry)
History
American literary masters
Vincent, Leon H. (Leon Henry)
American literature -- History and criticism; Authors, American
The second part illustrates the foreign policy of the two monarchs.
Having made a nation out of an assemblage of turbulent states,
Ferdinand and Isabella were enabled to take a conspicuous place among
the sovereigns of Europe. By good fortune in war and in discovery, by
diplomatic shrewdness and religious zeal, their influence was felt
throughout Europe and over the seas. Spain was no longer isolated. Her
name carried weight; her will was respected.
Much of the narrative proceeds by divisions each of which might have
been printed as a monograph. A certain amount of space is given to the
Inquisition, so much to the war in Granada, so many chapters to the
history of Columbus, so many to the colonial policy, to the Italian
wars, to the life of Gonsalvo of Cordova, to the career of Cardinal
Ximenes.
While in no sense neglecting the constitutional side of the problems
before him, the historian’s bent is to the biographical and pictorial
phases of the reign. On these he dwells with satisfaction and often in
detail. To him history is a pageant. The rich coloring of the period
first attracted Prescott; he can hardly be blamed for painting his
canvas in lively hues, for so he conceived the design. Neutral tints
and dull tones are wholly wanting. The blackness of certain events only
serves to bring out in stronger relief the resplendent brightness of
virtuous acts and the goodness of noble characters. Torquemada offsets
Isabella; the cruelty of war is forgotten in the splendor of chivalric
deeds.
It is not a history of the people of Spain. The people are not
forgotten; the struggle of the commons for recognition, for justice,
for the right to be themselves and express their individuality--these
things are taken into account. But the work belongs rather to that
older school of history which concerns itself for the most part with
wars and royal progresses, with the intrigues of councillors, the
machinations of prelates, the rivalries of great houses and powerful
orders.
The _History of the Conquest of Mexico_ is of about the same length as
its predecessor. The narrative, simpler in some ways and more vivacious
in others, is gorgeously colored throughout. Prescott was disturbed
by the picturesqueness of his own treatment. ‘Very like Miss Porter’
and ‘Rather boarding schoolish finery’ were his comments on certain
chapters.
The first of the seven ‘books’ into which the work is divided contains
an account of Aztec civilization. Sixty years have elapsed since these
pages were written, during which time American archæology has made
great advances. That the value of Prescott’s introduction is not wholly
destroyed is due to the healthy sceptical spirit which controlled his
work.
Public-domain text, read in full here on John Shaqi.
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