American literary mastersVincent, Leon H. (Leon Henry)
History
American literary masters
Vincent, Leon H. (Leon Henry)
American literature -- History and criticism; Authors, American
In the _History of the Conquest of Peru_ the author brings fresh proof
that whatever may be said of his morals, the Spanish soldier cannot
be over-praised for his valor. Pizarro was a marvel of courage and
endurance. Fanaticism, which explains much in his character, does not
explain where such tremendous physical power came from. And he had the
true theatrical bravado of the Sixteenth-century adventurer. Add to
the native histrionic gifts of the Latin race a special training, such
as life in the New World gave, and men like Ojeda, Balboa, Cortés, and
Pizarro come into existence quite naturally. They did wonders in the
coolest possible way, and with a fine sense of the pictorial aspect of
their undertakings. Pizarro, drawing a line from east to west on the
sand with his sword and calling on his comrades to choose each man what
best becomes a brave Castilian (‘For my part I go to the south’), is
a figure for romantic drama. An Englishman equally daring would have
been more or less awkward in a pose of this sort, but the Spaniard was
perfectly at home. Of what clay were these men compounded that they
could imagine such exploits and succeed in them too?
The performance of Pizarro was less splendid than that of Cortés
and the man himself less interesting. The conqueror of Mexico was a
gentleman; not so the hard soldier who subdued the kingdom of the
Incas. His was a violent career, steeped in blood, and ending in
assassination. Not only was Pizarro without fear, but of two courses
he seized upon the more dangerous as the better suited to his genius.
Too ignorant to sign his own name, he could control not alone the
brutal soldier but as well the lawyer and the priest. Aside from his
masterfulness there was little to admire in his character. Brute
force excites wonder, but the exhibition of it becomes wearisome at
last. To Prescott ‘the hazard assumed by Pizarro was far greater
than that of the Conqueror of Mexico.’ Otherwise the man was a mere
bungler upon whom Fortune, with characteristic levity, chanced for a
time to smile. Prescott describes him in a sentence: ‘Pizarro was
eminently perfidious.’ Furthermore, the conqueror of Peru was not
original; he repeated what he had learned from Balboa and Cortés. Had
he chanced upon a country less rich and civilized, it may well be
doubted whether he would have made any considerable figure in history.
The argument from gold was entirely conclusive in those days; just as
at the present time an undertaking is said to ‘succeed’ if it pays
financially. Manners have improved, but ideals of ‘success’ are pretty
much what they were four hundred years ago. When Pizarro extorted from
the wretched Atahualpa a promise to fill a room twenty-two feet by
seventeen to the height of nine feet with gold, his place in history
was assured. The swineherd had become immortal.
Public-domain text, read in full here on John Shaqi.
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