American literary mastersVincent, Leon H. (Leon Henry)
History
American literary masters
Vincent, Leon H. (Leon Henry)
American literature -- History and criticism; Authors, American
In the introduction of his first book, _Nature_, Emerson announces
his favorite doctrine, the necessity of seeing the world through our
own eyes, of being original, not imitative. He then proceeds with his
interpretation. Nature not only exalts man, giving him a pleasure so
tonic that it admonishes to temperance, but also renders him certain
services. They may be classified under Commodity, Beauty, Language,
and Discipline. The first, albeit the lowest, is perfect in its kind;
men everywhere comprehend the ‘steady and prodigal provision’ that has
been made for their comfort. Beauty is the second, and meets a nobler
want. ‘Nature satisfies by its loveliness,’ and ‘without any mixture of
corporeal benefit.’ ‘Give me health and a day, and I will make the pomp
of emperors ridiculous.’ This is not enough, there must be a spiritual
element. Such element is found in the will and virtue of man. An act
of truth or heroism ‘seems at once to draw to itself the sky as its
temple.’ Beauty in Nature also becomes an object of the intellect. It
reforms itself in the mind, leads to a new creation, and hence Art.
Nature is the source of language, words being the signs of natural
facts. But ‘every natural fact is a symbol of some spiritual fact.’
In brief, ‘the world is emblematic.’ Nature is a discipline of the
understanding, devoting herself to forming the common-sense. Nature
is the discipline of the will, after which she becomes the ally
of Religion. In short, so great is the part played by Nature in
disciplining man that the ‘noble doubt’ perpetually arises ‘whether
the end be not the Final Cause of the Universe; and whether nature
outwardly exists.’
What then? It makes no difference ‘whether Orion is up there in heaven
or some god paints the image in the firmament of the soul.’ Culture
has the uniform effect of leading us to regard nature as a phenomenon,
not a substance. Nature herself gives us the hint of Idealism. The
poet teaches the same lesson. The philosopher seeking, not Beauty, but
Truth, dissolves the ‘solid seeming block of matter’ by a thought.
Intellectual science begets ‘invariably a doubt of the existence of
matter.’ Ethics and religion have the same effect of degrading ‘nature
and suggesting its dependence on spirit.’
Back of all nature, then, is spirit. ‘The world proceeds from the same
spirit as the body of man. It is a remoter and inferior incarnation of
God.’ At present man has not come into his whole kingdom. He depends on
his understanding alone. Let him apply all his powers, the reason as
well as the understanding.
Brief as it is, this little book shows to perfection the richness of
Emerson’s thought, his skill in the apothegm, his economy of phrase,
the poetic cast of his mind, and the beauty of his diction.
Public-domain text, read in full here on John Shaqi.
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