American literary mastersVincent, Leon H. (Leon Henry)
History
American literary masters
Vincent, Leon H. (Leon Henry)
American literature -- History and criticism; Authors, American
In ‘Compensation’ the essayist notes those inexorable forces by which
a balance is kept in the world, the laws by virtue of which ‘things
refuse to be mismanaged long.’ In ‘Spiritual Laws’ he shows the
importance of living the life of nature. Let no man import into his
mind ‘difficulties which are none of his.’ The essay on ‘Love’ is a
prose poem in honor of that passion which ‘makes the clown gentle, and
gives the coward heart.’ Following it is the essay on ‘Friendship’
with its austere definitions. ‘I do not wish to treat friendships
daintily, but with roughest courage.’ ‘Friendship implies sincerity,
and sincerity is the luxury allowed, like diadems and authority, only
to the highest rank.’
Emerson writes on ‘Prudence’ in order to balance those fine lyric
words of Love and Friendship with words of coarser sound. Prudence
considered in itself is naught; but recognized as one of the conditions
of existence, it deserves our utmost attention. It keeps a man from
standing in false and bitter relations to other men. Emerson had
no patience with people who, because they have genius or beauty,
expect an exception of the laws of Nature to be made in their case.
Notwithstanding their gifts, they must toe the mark.
‘Heroism,’ the eighth essay in this volume, contains a definition of
the hero which does not coincide with the popular conception. We are
so accustomed to seeing our heroes crowned with wreaths and overwhelmed
with lecture engagements the day following the act of valor that we
are surprised to read: ‘Heroism works in contradiction to the voice of
mankind.’ Emerson gives a new turn to the old phrase ‘the heroic in
everyday life.’ Life, he says, has its ‘ragged and dangerous front.’ It
is full of evils against which the man must be armed. ‘Let him hear in
season that he is born into a state of war.’ To this ‘militant attitude
of the soul’ Emerson gave the name of heroism. In its rudest form it is
‘contempt for safety and ease.’
To some readers the essay on ‘The Over-Soul’ is at once the clearest
and the most darkened, the plainest and the most enigmatic of the
essays in this book. But there is no misapprehending the value of this
effort to put, not in rigid scientific terms, but in glowing and lofty
imagery, the dependence of man on the Infinite, the marvel of that
Immensity which is the background of our being. ‘From within or from
behind, a light shines through us upon things, and makes us aware that
we are nothing, but the light is all.’ It is the universal mind by
which all being is enveloped and interpenetrated.
The essay on ‘Circles’ contains this thought: Outside every circle
another may be drawn. Opinion seeks to crystallize at a certain limit,
to insist that there is nothing beyond. The soul bursts these barriers
to set new limits, which in turn are good only for a time. Man must
therefore keep himself always open to the conception of a larger
circle. Let him ‘prefer truth to his past apprehension of truth.’
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account