American literary mastersVincent, Leon H. (Leon Henry)
History
American literary masters
Vincent, Leon H. (Leon Henry)
American literature -- History and criticism; Authors, American
In Napoleon we have ‘the strong and ready actor’ who in the ‘universal
imbecility, indecision, and indolence of men’ knows how to take
occasion by the beard. His life is an answer to cowardly doubts.
Emerson calls Napoleon ‘the agent or attorney of the middle class of
modern society.’ It was he who showed what could be done by the use
of common virtues. His experiment failed because he had a selfish and
sensual aim. In the last analysis Napoleon was not a gentleman.
Goethe is the other phase of the genius of the age. There is a
provision for the writer in the scheme of things. Nature insists on
being reported. To Man the universe is something to be recorded.
The instinct exists in different degrees. One has the power to ‘see
connection where the multitude sees fragments.’ Lift this faculty to a
high degree and you have the great German poet who well-nigh restored
literature to its primal significance. ‘There must be a man behind the
book.’ ‘The old Eternal Genius who built the world has confided himself
more to this man than any other.’ Goethe is the type of culture. Here,
too, is his defect. For his devotion is not to pure truth, but to truth
for the sake of culture.
_Representative Men_ was succeeded by _English Traits_, a volume in
which Emerson taught his countrymen more about England than they had
hitherto known or fancied. Histories, statistical reports, treatises on
British art and British manufactures, are useful and sometimes dreary
reading; they give us facts heaped on facts. It is a relief to put
them down and take up _English Traits_ in order to learn what we have
been reading about.
Through Emerson’s eyes we can see this little island ‘a prize for the
best race,’ its singular people, chained to their logic, willing ‘to
kiss the dust before a fact,’ strong in their sense of brotherhood,
yet fond each of his own way, incommunicable, ‘in short every one of
these islanders an island in himself.’ They have a ‘superfluity of
self-regard’--which is a secret of their power; they are assertive,
crotchety, wholly forgetful of ‘a cardinal article in the bill
of social rights,’ that every man ‘has a right to his own ears;’
nevertheless Emerson concludes (and an Englishman would assure him no
other conclusion was possible) they are the best stock in the world.
Here is the typical islander as Emerson paints him. ‘He is a churl with
a soft place in his heart, whose speech is a brash of bitter waters,
but who loves to help you at a pinch. He says no, and serves you, and
your thanks disgust him.’
Public-domain text, read in full here on John Shaqi.
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