Comparisons little befit Emerson the poet. His muse was wayward. Extreme eulogists do him injury by applying to him standards that were none of his. They forget how he said of himself that he was ‘not a poet, but a lover of poetry and poets, and merely serving as a writer, etc., in this empty America before the arrival of poets.’ For the extravagancies of the extremists the tempered admirers find themselves regularly lectured, as if they were children who must have it explained to them that Emerson was not a Keats or a Shelley, or a Hugo. Emerson as frequently gets less than he deserves as more. What niggardly praise is that from the pen of an eminent living English man of letters who can only suppose that Emerson ‘knew what he was about when he wandered into the fairyland of verse, and that in such moments _he found nothing better to his hand_!’ But the ‘Threnody,’ ‘Monadnock,’ ‘May-Day,’ ‘Voluntaries,’ and ‘The Problem,’ whatever else may be true of them, are not the work of a man who found nothing better to his hand. VII LATEST BOOKS Five volumes remain to be commented on. The first, _Society and Solitude_ (so called after the initial paper), is a group of twelve essays entitled ‘Civilization,’ ‘Art,’ ‘Eloquence,’ ‘Domestic Life,’ ‘Farming,’ ‘Works and Days,’ ‘Books,’ ‘Clubs,’ ‘Courage,’ ‘Success,’ and ‘Old Age.’ They have mostly a practical bent. That on ‘Books’ doubtless gives an account of Emerson’s own reading, adequate as far as it expresses his literary preferences, inadequate respecting completeness. For example, Emerson must have read George Borrow, of an acquaintance with whom he repeatedly gives proof, but these lists contain no mention of _Lavengro_ or _Romany Rye_. Here too will be found his famous heresy about the value of translations, but not so radically stated by Emerson as it is sometimes stated by those who propose to attack Emerson’s position. _Letters and Social Aims_ (a volume forced from him by the rumor that an English house proposed to reprint his early papers from ‘The Dial’) covers topics as diverse as, on the one hand, ‘Social Aims,’ ‘Quotation and Originality,’ ‘The Comic,’ and on the other, ‘Poetry and Imagination,’ ‘Inspiration,’ ‘Greatness,’ ‘Immortality.’ There are also essays on ‘Eloquence,’ ‘Resources,’ ‘Progress of Culture,’ and ‘Persian Poetry.’ _Lectures and Biographical Sketches_ consists of nineteen pieces, among which will be found ‘Historic Notes of Life and Letters in New England,’ ‘The Superlative,’ and the brilliant sketches of Thoreau, of Ezra Ripley, and of Carlyle. _Miscellanies_ (not to be confounded with the volume of 1849 bearing the same title) contains a number of papers and addresses on political topics, and is indispensable to the student of Emerson’s life. Here will be found his speeches on John Brown, on the Fugitive Slave Law, on Emancipation in the West Indies, on American Civilization, on Lincoln, and that inspiring lecture, ‘The Fortune of the Republic.’