American literary mastersVincent, Leon H. (Leon Henry)
History
American literary masters
Vincent, Leon H. (Leon Henry)
American literature -- History and criticism; Authors, American
Poe’s abuse of liquor and opium has long been well understood, and
the question of his responsibility handed over to the decision of the
medical faculty. If many of his troubles sprang from this abuse, many
more arose out of his unwillingness to recognize the fact that he was
a part of society, not an isolated and self-sufficient being. As a
genius he was entitled to his prerogative. He was also a man among men
and under the same obligations to continued fair dealing, courtesy,
patience, and forbearance as were his fellows. In these matters he was
notoriously deficient. No one could have been more eager for praise
and sympathy than Poe. He asked for both and received in the measure
of his asking. Men of influence helped him ungrudgingly. They lent him
money, commended his work, defended him at first from the criticism
of those who thought they had suffered at his hands; but it was to no
purpose. By his perversity and capriciousness (as also by an occasional
display of that which in a less highly endowed man than he would have
been called malevolence) Poe alienated those who were most inclined to
befriend him. Nevertheless he wondered that friends fell away.
With a powerful mind, a towering imagination, a natural command of the
technical part of literature, which he improved by tireless exercise,
and with no little spontaneity of productive energy, Poe remained a boy
in character, self-willed, spoiled, ungrateful, petulant. The sharper
the lash of fortune’s whip on his shoulders, the more rebellious he
became.
The affair of the Boston Lyceum illustrates Poe’s singular disregard
of what is expected of men supposed to know the ways of the world. A
Southern paper commenting on this affair said that Poe should not have
gone to Boston. The implication was that as Poe had been attacking the
New Englanders for years he could not expect fair treatment. Poe had
indeed often attacked the ‘Frogpondians,’ as he enjoyed calling them,
and they invited him to come and read an original poem on an occasion
of some local importance. This may have been a mark of innocence on the
part of the ‘Frogpondians;’ it can hardly be construed as indicative
of narrowness or prejudice. Poe accepted their hospitality apparently
in the spirit in which it was offered, read one of his old poems,
and declared afterward that he wrote it before completing his tenth
year, and that he considered it would answer sufficiently well for
an audience of Transcendentalists: ‘It was the best we had--for the
price--and it _did_ answer remarkably well.’
Public-domain text, read in full here on John Shaqi.
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