American Masters of Sculpture: Being Brief Appreciations of Some American Sculptors and of Some Phases of Sculpture in AmericaCaffin, Charles H. (Charles Henry)
History
American Masters of Sculpture: Being Brief Appreciations of Some American Sculptors and of Some Phases of Sculpture in America
Caffin, Charles H. (Charles Henry)
Sculptors -- United States
There are minor currents, too, little streams of rebellion that flow
contrary to the general direction. The superesthetic and the
superintellectual, equally are protests against the trend toward
naturalism. The one responds to what there is in us of world-weariness,
of a jaded epicureanism that needs the subtlest stimulants to its
imagination; the other would emphasise the quality by which, it assumes,
we are differentiated from, and superior to, the natural world.
Disregarding the Universal Intellect which regulates the law of natural
growth and of natural habits, it would force the little unit of
intellect into premature development, into lifelong estrangement from
the wholesomeness of nature. For facts it would substitute names; words,
words and continually words, until they take the place of knowledge, of
ideas and of all religious, moral and esthetic consciousness.
In American art there is scarcely any trace of the superesthetic; but
more than a little of the superintellectual, a phase and product of our
infatuation for words, which binds the imagination with wrappings of
borrowed thought and checks the free flight of original ideas. For the
end of art is not to teach, but to make us feel; to refine and elevate
the operation of the senses, helping us through visible, tangible and
audible beauty to catch at something of the mysterious infinitude of
beauty. Even as man’s intellect reaches ever wider and further until
knowledge is merged in speculation; so by the promptings of the senses
we reach from appreciation of material things to that detachment of
feeling which exists in the ideal.
INDEX
Adams, Herbert, 99-115, 184, 193
Ball, Thomas, vi, 56
Barnard, George Grey, 21-36
Barnhorn, Clement J., 193, et seq.
Bartholomé, Albert, 6, 7
Bartlett, Paul W., 89-95, 184
Barye, Antoine Louis, 158
Bauer, Theodore, 223, et seq.
Bissell, George E., 184
Bitter, Karl, 204, 205
Borglum, Gutzon, 153, 154, 226
Borglum, Solon Hannibal, 149-162
Boston Public Library, 81, 83
Boyle, John J., 184, 227, et seq.
Brenner, Victor David, 165-171
Brooks, Richard E., 214
Brown, Henry Kirke, vi, 43, 203
Bush-Brown, H. K., 202, 203
Calverly, Charles, 213
Canfield, Birtley, 214
Canova, v, 56
Carpeaux, Jean Baptiste, 134
Casey, Edward Pearce, 188
Cavelier, Jules Pierre, 28
Centennial Exhibition, v, viii, 136
Chicago World’s Fair, 61, 65, 75, 84, 197, 203, 222, 224
Coloring Sculpture, 102, et seq.
Crawford, Thomas, vi
Dallin, Cyrus E., 184, 226
Donoghue, John, 222
Dubois, Paul, 6, 7, 15
Elwell, F. Edwin, 219, et seq.
Falguière, Jean Alexandre Joseph, 75, 100, 134
Flanagan, John, 185
Frémiet, Emmanuel, 90, 157
French, Daniel Chester, 55-70, 193
Grafly, Charles, 217, et seq., 222
Greenough, Horatio, 4
Harvey, Eli, 202
Jouffroy, François, 134
Kemeys, Edward, 197
Kitson, Alice Ruggles, 213
Kitson, Henry H., 213
Konti, Isidore, 205, et seq.
Library of Congress, 74, 83, 90, 113, 128, 142, 176, et seq., 223
Public-domain text, read in full here on John Shaqi.
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