American Masters of Sculpture: Being Brief Appreciations of Some American Sculptors and of Some Phases of Sculpture in AmericaCaffin, Charles H. (Charles Henry)
History
American Masters of Sculpture: Being Brief Appreciations of Some American Sculptors and of Some Phases of Sculpture in America
Caffin, Charles H. (Charles Henry)
Sculptors -- United States
The dormant artistic instinct was an inheritance from his father, a
Danish wood-carver, who had migrated to this country early in the
sixties. He settled in Ogden, Utah, where Solon was born in 1868; but he
found no encouragement for his craft and, resolving to become a doctor,
turned back to St. Louis, took a degree in medicine, and then
established himself in Fremont, Nebraska, where his practice soon
extended far into the prairies. He kept many horses, and the son grew up
among them, with little inclination for school studies and a keen desire
for the open-air life. At first he worked as a cowboy on a ranch of his
father’s; later assumed control of a larger one, where for a number of
years he lived in that close companionship with men and animals which
breeds sympathy as well as knowledge.
One of his elder brothers, Gutzon, had already become an artist, and it
was a visit that he paid to the ranch in 1890 which first aroused in
Solon’s mind a thought of trying to draw. He began to experiment with
the pencil, and gradually the fascination of representing form grew
upon him, so that sketching occupied all his leisure time with
continually increasing grip upon his desire, until by 1893 he made up
his mind to sell out his share in the ranch and go forth and study art.
First he sought his brother in the Sierra Madre Mountains of California
and studied painting with him for a few months; then drifted to Los
Angeles, and thence to Santa Anna. In the latter town he rented his
first studio at two dollars a month; but it was not long before he found
his clothes were getting shabby, and, moreover, the confinement of the
four walls was irksome. So he put a sign upon his door, “In Studio
Saturdays Only”; and under cover of the dusk started for the wild
country of the Saddleback Mountains. All through the week he lived among
the old Spanish Indians and Greasers--lawless people who have been left
stranded in the march of civilisation--eating with them, sleeping beside
them in the thicket, sketching everything he saw. On Friday he started
back for the town, and, sleeping on the outskirts, was early astir in
the morning and passed unobserved to his little room before the
towns-people were awake.
Public-domain text, read in full here on John Shaqi.
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