American painting and its tradition : $b as represented by Inness, Wyant, Martin, Homer, La Farge, Whistler, Chase, Alexander, SargentVan Dyke, John C.
History
American painting and its tradition : $b as represented by Inness, Wyant, Martin, Homer, La Farge, Whistler, Chase, Alexander, Sargent
Van Dyke, John C.
Painters -- United States; Painting -- United States
Sargent, Alexander, Chase, with many other painters who came to the
front with the founding of the Society of American Artists, have helped
form the new American tradition of the craft. As I have indicated many
times in the course of these pages, that tradition is not based in any
mere theory or fancy of art but primarily in the calm, cold practice of
good workmanship. In other words, the craftsman first; the great artist
afterward--if such thing may be. There could be no wiser teaching, no
more enduring tradition. With it the painter can rise to what eerie
heights he will; without it he forever moves on leaden wings.
It remains to be seen what the present generation will do in art.
So many strange idols are set up in art places from day to day that
one wonders if faith and purpose shall last. But whatever path the
new group may follow or movement it may pursue, it cannot complain
that its hands and eyes have not been trained; it cannot say that it
inherited no artistic patrimony, was given no schooling, was taught no
craftsmanship. The men of 1878 were perhaps handicapped by starting
late and having to get their technical education in foreign lands,
but the men of to-day have no such excuse. They can be technically
well educated on their own native heath; they are practically not
handicapped at all.
Will their success be the greater for that? Who can tell? There
is always a tearing-down process going on in art almost exactly
commensurate with the building-up process, and our country and its
art may be on the threshold of such an epoch. Again, who knows?
Many a generation has prepared and builded for its succeeding
generation--prepared and builded apparently in vain. But whether
the period is one of progress or recession it will not be the worse
for the presence of competent builders. The tradition of art is now
deep-rooted. It will continue to grow and assert itself even though
there be no historic sequence in its results. And so the thought is
perhaps worth reiterating that the men of 1878 really have builded and
prepared, with a will and in a way that will not soon be forgotten.
Transcriber's Notes:
Italics are shown thus: _sloping_.
Variations in spelling and hyphenation are retained.
Perceived typographical errors have been changed.
Repetative chapter headings have been removed.
Public-domain text, read in full here on John Shaqi.
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