American painting and its tradition : $b as represented by Inness, Wyant, Martin, Homer, La Farge, Whistler, Chase, Alexander, SargentVan Dyke, John C.
History
American painting and its tradition : $b as represented by Inness, Wyant, Martin, Homer, La Farge, Whistler, Chase, Alexander, Sargent
Van Dyke, John C.
Painters -- United States; Painting -- United States
Whistler liked to talk, especially if there was an audience of half a
dozen. He was then very willing to fill space in the spot-light and
conduct the session, especially if art was up for discussion. Another
night, at a Pennell dinner, a very clever man--one of the editors of
the _Daily Telegraph_--was present. He had recently returned from
the far North--beyond Spitzbergen--and had been telling us about the
brilliancy of the Northern color. Whistler, beside whom I sat, was not
interested and kept tugging at my arm, telling me that it was mere raw
color and not art. To that I finally had to make reply that I cared
not a rap whether the color was artistic or not, that I was interested
in the mere fact of its brilliancy. With that he flung around in his
chair, turning his back on me, much as a child might do, and remained
silent until the subject changed.
But it is an error to infer that because he was often witty and
occasionally petty, wit and pettishness were his outstanding
characteristics. By setting forth unrelieved chapters of his stories
and sayings the impression has been produced that he started a new
quarrel each morning before breakfast and shot envenomed shafts until
sunset. That his witticisms were scattered over a period of forty years
is neither stated nor implied. As a matter of fact, he was almost
always in a serious mood, and, with his knowledge and gift of language,
talked most sensibly and persuasively. I remember many interesting
and informing talks with him when there was no jesting and not even
smiling. In his own studio, with his own pictures on the easel and he
explaining his intention and its development on the canvas, he was at
his best. He was then a reasonable, sensible painter, with none of the
pose of the _Ten O’Clock_ and none of the vanity of _The Gentle Art of
Making Enemies_. I have never met a more striking contradiction in an
individual, and it always seemed to me that the Whistler of the sharp
tongue and pen was not the true Whistler but merely a character assumed
for the occasion.
Public-domain text, read in full here on John Shaqi.
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