American Scenery, Vol. 1 (of 2): or, Land, lake, and river illustrations of transatlantic natureWillis, Nathaniel Parker
General
American Scenery, Vol. 1 (of 2): or, Land, lake, and river illustrations of transatlantic nature
Willis, Nathaniel Parker
United States -- Description and travel
The day after his arrival, a soldier went out from the fort on a hunting
excursion, and was shot by Indians. His infuriated companions instantly
resolved to sacrifice Cornstalk and his son. They charged upon
Ellinipsico that the offenders were in his company, but he declared that
he had come alone, and with the sole object of seeking his father. When
the soldiers came within hearing, the young warrior appeared agitated.
Cornstalk encouraged him to meet hits fate composedly, and said to him,
“My son, the Great Spirit has sent you here that we may die together!”
He turned to meet his murderers the next instant, and receiving seven
bullets in his body, expired without a groan.
When Cornstalk had fallen, Ellinipsico continued still and passive, not
even raising himself from his seat. He met death in that position with
the utmost calmness. “The other Indian,” says the chronicle, “was
murdered piecemeal, and with all those circumstances of cruelty with
which the savage wreaks his vengeance on his enemy.”
The day before his death, Cornstalk had been present at a council of the
officers, and had spoken to them on the subject of the war, with his own
peculiar eloquence. In the course of his remarks, he expressed something
like a presentiment of his fate. “When I was young,” he said, “and went
out to war, I often thought each would be my last adventure, and I
should return no more. I still lived. Now I am in the midst of you, and,
if you choose, you may kill me. I can die but once. It is alike to me
whether now or hereafter!”
His atrocious murder was dearly expiated. The Shawanees, the most
warlike tribe of the West, became thenceforward the most deadly and
implacable foes to the white man.
[Illustration]
BOSTON, FROM DORCHESTER HEIGHTS.
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Public-domain text, read in full here on John Shaqi.
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