American Scenery, Vol. 2 (of 2): or, Land, lake, and river illustrations of transatlantic natureWillis, Nathaniel Parker
General
American Scenery, Vol. 2 (of 2): or, Land, lake, and river illustrations of transatlantic nature
Willis, Nathaniel Parker
United States -- Description and travel
I have often thought in passing, of the contrast between these numerous
advents and the landing of Hendrick Hudson on this very spot, in his
voyage of discovery up the river. He found here, he says, “a very loving
people, and a very old man,” by whom he and his crew were very kindly
entertained. From the first step of a white man’s foot on the soil to
the crowded rush of passengers from a steam-boat—from a savage
wilderness to the height of civilization and science, it is but a little
more than two hundred years of rapid history. Compare the old Indian
canoe in which Hudson went from his vessel to the land, with a steamer
carrying on its deck near a thousand souls; compare the untutored
population which then swarmed upon the shore to the cultivated and
refined crowds who come and go in thousands on the same spot, and the
contrast is as astonishing as the extinction of the aboriginal race is
melancholy.
It is surprising how few details connected with the races that inhabited
the older settlements of our country are reached even by the researches
of Historical Societies. The materials for the future poets and
historians of America, are, in this department, singularly meagre,
though it might almost be supposed that the very tracks of the
retreating tribes might at this early day be still visible on the soil.
Wherever any particulars of the intercourse between the first settlers
and the Indians are preserved, they are highly curious, and often very
diverting. In a book on the settlements of this country, written by
Capt. Nathaniel Uring, who visited it in 1709, there is an amusing story
connected with the history of one of the forts, built, by permission of
the Indians, to secure the settlers against sudden incursion.
Public-domain text, read in full here on John Shaqi.
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