American Scenery, Vol. 2 (of 2): or, Land, lake, and river illustrations of transatlantic natureWillis, Nathaniel Parker
General
American Scenery, Vol. 2 (of 2): or, Land, lake, and river illustrations of transatlantic nature
Willis, Nathaniel Parker
United States -- Description and travel
The fire towards Brooklyn gave the first intimation to the American
right that the enemy had gained their rear. Lord Stirling perceived the
danger, and that he could only escape it by retreating instantly across
the creek. After one other gallant attempt, however, upon a British
corps under Lord Cornwallis, the brave men he commanded were no longer
able to make opposition, and those who survived were, with their
general, made prisoners of war.
The British army were masters of the field, but before morning,
Washington had won one of his brightest military laurels in the safe
withdrawal, unperceived by the enemy, of his defeated and dispirited
troops to the opposite shore of New York.
[Illustration]
VIEW ON THE SUSQUEHANNA,
(ABOVE OWAGO, OR AT GRAND ISLAND.)
* * * * *
The spectator in this view looks up the Susquehanna, with the river
behind as well as before him; for the mountain on which he stands is
almost encircled by the bend with which it turns downward to Owago. It
is, perhaps, the best view that could be taken to express the etymology
of its name, (Crooked River,) besides being one of singular beauty. I
regretted only when the artist was there, that the rafts and arks with
which the river is for a great part of the year enlivened, were, from
the low state of the water, entirely wanting. The wild navigation of
these crafts gives the Susquehanna a picturesque character, which, to do
it pictorial justice, should not be omitted in the drawing. Perhaps the
amends may be.
[Illustration]
BRIDGE AT GLEN’S-FALLS, ON THE HUDSON.
* * * * *
Few of our readers who will not consider this subject as one of the most
picturesque in our collection, and yet many of them we fear have passed
over the bridge in our View unconscious of the proximity of so
extraordinary a scene as the Falls of the Hudson at this spot.
Public-domain text, read in full here on John Shaqi.
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