American Scenery, Vol. 2 (of 2): or, Land, lake, and river illustrations of transatlantic natureWillis, Nathaniel Parker
General
American Scenery, Vol. 2 (of 2): or, Land, lake, and river illustrations of transatlantic nature
Willis, Nathaniel Parker
United States -- Description and travel
silence only. He becomes of one mind with the spiritual Berkeley, that
the face of nature itself, the very picture of woods, and streams, and
meadows, is a hieroglyphic writing in the spirit itself, of which the
retina is no interpreter. The proof is just below him, (at least, it
came under my eye,) in the lady (not American) who, after glancing over
the landscape, brings her chair into the piazza, and turning her back to
the champaign, and her face to the wooden walls of the hotel, begins the
study, this Sunday morning, of her lap-full of newspapers. What a sermon
is thus preached to him at this moment from a very hackneyed text! To
him that hath much—that hath the eye, and ear, and wealth, of the
spirit, shall more be given—even a replenishing of this spiritual life
from that which, to others, is formless and dumb; while, from him that
hath little, who trusts in that which lies about him rather than in that
which lives within him, shall be taken away, by natural decline, the
power of perceiving and enjoying what is within his own domain. To him
who is already enriched with large divine and human revelations, this
scene is, for all its stillness, musical with divine and human speech;
while one who has been deafened by the din of worldly affairs can hear
nothing in this mountain solitude.”
[Illustration]
FANEUIL HALL,
FROM THE WATER.
* * * * *
Two noble streets, and a market, perhaps the finest in the world, have
been projected in front of the old Faneuil Hall, which stood a very few
years ago close to the water’s edge. The new land was made, and the plan
carried into effect during the mayoralty of Josiah Quincy, Esq., to
whose enterprise and sagacity the city is indebted for these great
improvements.
Faneuil Hall, which in the view from the water stands in the rear of
these fine structures of granite, is the dearest spot connected with
American freedom. It was used as a town-hall in the time of the
Revolution; and within its walls arose the first murmur, which, stirred
by the daring eloquence of Adams and Otis, terminated in the Declaration
of Independence. The name by which it is best known, is, “_the Cradle of
Liberty_.”
Public-domain text, read in full here on John Shaqi.
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