American short stories : $b Selected and edited with an introductory essay on the short story by Charles Sears Baldwin
General
American short stories : $b Selected and edited with an introductory essay on the short story by Charles Sears Baldwin
American fiction -- 19th century; Short stories, American
“Not hear it?--yes, I hear it, and _have_ heard it.
Long--long--long--many minutes, many hours, many days, have I heard
it--yet I dared not--oh pity me, miserable wretch that I am!--I
dared not--I _dared_ not speak! _We have put her living in the
tomb!_ Said I not that my senses were acute? I _now_ tell you that
I heard her first feeble movements in the hollow coffin. I heard
them--many, many days ago--yet I dared not--_I dared not speak!_ And
now--to-night--Ethelred--ha! ha!--the breaking of the hermit’s door,
and the death-cry of the dragon, and the clangor of the shield!--say,
rather, the rending of her coffin, and the grating of the iron hinges
of her prison, and her struggles within the coppered archway of the
vault! Oh whither shall I fly? Will she not be here anon? Is she not
hurrying to upbraid me for my haste? Have I not heard her footstep
on the stair? Do I not distinguish that heavy and horrible beating
of her heart? Madman!”--here he sprang furiously to his feet, and
shrieked out his syllables, as if in the effort he were giving up his
soul--“_Madman! I tell you that she now stands without the door!_”
As if in the superhuman energy of his utterance there had been found
the potency of a spell--the huge antique pannels to which the speaker
pointed threw slowly back, upon the instant, their ponderous and ebony
jaws. It was the work of the rushing gust--but then without those doors
there _did_ stand the lofty and enshrouded figure of the lady Madeline
of Usher. There was blood upon her white robes, and the evidence
of some bitter struggle upon every portion of her emaciated frame.
For a moment she remained trembling and reeling to and fro upon the
threshold--then, with a low, moaning cry, fell heavily inward upon the
person of her brother, and in her violent and now final death-agonies,
bore him to the floor a corpse, and a victim to the terrors he had
anticipated.
From that chamber, and from that mansion, I fled aghast. The storm
was still abroad in all its wrath as I found myself crossing the old
causeway. Suddenly there shot along the path a wild light, and I turned
to see whence a gleam so unusual could have issued; for the vast house
and its shadows were alone behind me. The radiance was that of the
full, setting, and blood-red moon, which now shone vividly through
that once barely-discernible fissure, of which I have before spoken as
extending from the roof of the building, in a zigzag direction, to the
base. While I gazed, this fissure rapidly widened--there came a fierce
breath of the whirlwind--the entire orb of the satellite burst at
once upon my sight--my brain reeled as I saw the mighty walls rushing
asunder--there was a long tumultuous shouting sound like the voice of a
thousand waters--and the deep and dank tarn at my feet closed sullenly
and silently over the fragments of the “_House of Usher_.”
NATHANIEL PARKER WILLIS
1806–1867
Public-domain text, read in full here on John Shaqi.
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