American short stories : $b Selected and edited with an introductory essay on the short story by Charles Sears Baldwin
General
American short stories : $b Selected and edited with an introductory essay on the short story by Charles Sears Baldwin
American fiction -- 19th century; Short stories, American
But one day she was astonished to discover that all of these delights
lay within half an hour’s journey of her home; and moreover, that
there was approaching an hour which was annually set apart for the
indulgence of the inmates of the prison in question. She did not stop
to ask herself, as she might well have done, how it was that she had so
completely ignored this particular institution, which was one of the
largest and best conducted in the country, especially when her desire
to visit one was so keen; but she straightway set about preparing for
her intended visit in a manner which she fancied Miss Crofutt would
have approved, had she been present.
She resolved, in the most radical sense of the word, to be
alive. She jotted on some ivory tablets, with a gold pencil, a
number of hints to assist her in her observations. For example:
“Phrenological development; size of cells; ounces of solid and
liquid; tissue-producing food; were mirrors allowed? if so, what
was the effect? jimmy and skeleton-key, character of; canary birds:
query, would not their admission into every cell animate in the human
prisoners a similar buoyancy? to urge upon the turnkeys the use of the
Spanish garrote in place of the present distressing gallows; to find
the proportion of Orthodox and Unitarian prisoners to those of other
persuasions.” But besides these and fifty other similar memoranda, the
enthusiast cast about her for something practical to do.
She hit upon the capital idea of flowers. She at once ordered from a
gardener of taste two hundred bouquets, or rather nosegays, which she
intended for distribution among the prisoners she was about to visit,
and she called upon her father for the money.
Then she began to prepare her mind. She wished to define the plan from
which she was to make her contemplations. She settled that she would be
grave and gentle. She would be exquisitely careful not to hold herself
too much aloof, and yet not to step beyond the bounds of that sweet
reserve that she conceived must have been at once Miss Crofutt’s sword
and buckler.
Her object was to awaken in the most abandoned criminals a realization
that the world, in its most benignant phase, was still open to them;
that society, having obtained a requital for their wickedness, was
ready to embrace them again on proof of their repentance.
She determined to select at the outset two or three of the most
remarkable monsters, and turn the full head of her persuasions
exclusively upon them, instead of sprinkling (as it were) the whole
community with her grace. She would arouse at first a very few, and
then a few more, and a few more, and so on _ad infinitum_.
It was on a hot July morning that she journeyed on foot over the bridge
which led to the prison, and there walked a man behind her carrying the
flowers.
Public-domain text, read in full here on John Shaqi.
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