American short stories : $b Selected and edited with an introductory essay on the short story by Charles Sears Baldwin
General
American short stories : $b Selected and edited with an introductory essay on the short story by Charles Sears Baldwin
American fiction -- 19th century; Short stories, American
It was sunset when I reached the margin of the prairie on which the
village is situated. My horse, wearied with a long day’s travel, sprang
forward with new vigour, when his hoof struck the smooth, firm road
which led across the plain. It was a narrow path, winding among the
tall grass, now tinged with the mellow hues of autumn. I gazed with
delight over the beautiful surface. The mounds, and the solitary trees,
were there, just as I had left them; and they were familiar to my eye
as the objects of yesterday. It was eight miles across the prairie,
and I had not passed half the distance when night set in. I strained
my eyes to catch a glimpse of the village; but two large mounds and a
clump of trees, which intervened, defeated my purpose. I thought of
Gabrielle, and Jeannette, and Baptiste, and the priest--the fiddles,
dances, and French ponies; and fancied every minute an hour, and every
foot a mile, which separated me from scenes and persons so deeply
impressed on my imagination.
At length I passed the mounds, and beheld the lights twinkling in the
village, now about two miles off, like a brilliant constellation in
the horizon. The lights seemed very numerous--I thought they moved;
and at last discovered that they were rapidly passing about. “What can
be going on in the village?” thought I--then a strain of music met
my ear--“they are going to dance,” said I, striking my spurs into my
jaded nag, “and I shall see all my friends together.” But as I drew
near, a volume of sounds burst upon me such as defied all conjecture.
Fiddles, flutes and tambourines, drums, cow-horns, tin trumpets, and
kettles mingled their discordant notes with a strange accompaniment of
laughter, shouts and singing. This singular concert proceeded from a
mob of men and boys, who paraded through the streets, preceded by one
who blew an immense tin horn, and ever and anon shouted, “Cha-ri-va-ry!
Charivary!” to which the mob responded “Charivary!” I now recollected
having heard of a custom which prevails among the American French of
serenading at the marriage of a widow or widower, with such a concert
as I now witnessed; and I rode towards the crowd, who had halted before
a well known door, to ascertain who were the happy parties.
“Charivary!” shouted the leader.
“Pour qui?” said another voice.
“Pour Mons. Baptiste Menou. Il s’est marié!”
“Avec qui?”
“Avec Mam’selle Jeannette Duval--Charivary!”
“Charivary!” shouted the whole company, and a torrent of music poured
from the full band--tin kettles, cow-horns and all.
Public-domain text, read in full here on John Shaqi.
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