American short stories : $b Selected and edited with an introductory essay on the short story by Charles Sears Baldwin
General
American short stories : $b Selected and edited with an introductory essay on the short story by Charles Sears Baldwin
American fiction -- 19th century; Short stories, American
of the snow, lay the little village, resembling an oriental town, with
its low, square, mud-roofed houses and its two square church towers,
also of mud. On the path to the village were a few Mexicans, wrapped
in their striped blankets, and driving their jackasses heavily laden
with wood towards the village. Such was the aspect of the place at a
distance. On entering it, you found only a few dirty, irregular lanes,
and a quantity of mud houses.
To an American the first sight of these New Mexican villages is novel
and singular. He seems taken into a different world. Everything is new,
strange, and quaint: the men with their pantalones of cloth, gaily
ornamented with lace, split up on the outside of the leg to the knee,
and covered at the bottom with a broad strip of morocco; the jacket of
calico; the botas of stamped and embroidered leather; the zarape or
blanket of striped red and white; the broad-brimmed hat, with a black
silk handkerchief tied round it in a roll; or in the lower class, the
simple attire of breeches of leather reaching only to the knees, a
shirt and a zarape; the bonnetless women, with a silken scarf or a red
shawl over their heads; and, added to all, the continual chatter of
Spanish about him--all remind him that he is in a strange land.
On the evening after my arrival in the village I went to a fandango. I
saw the men and women dancing waltzes and drinking whiskey together;
and in another room I saw the monti-bank open. It is a strange sight, a
Spanish fandango. Well dressed women--they call them ladies--priests,
thieves, half-breed Indians--all spinning round together in a waltz.
Here a filthy, ragged fellow with half a shirt, a pair of leather
breeches, long, dirty woollen stockings, and Apache moccasins, was
whirling round with the pretty wife of Pedro Vigil. I was soon
disgusted; but among the graceless shapes and more graceless dresses
at the fandango I saw one young woman who appeared to me exceedingly
pretty. She was under the middle size, slightly formed; and, besides
the delicate foot and ancle and the keen black eye common to all the
women in that country, she possessed a clear and beautiful complexion,
and a modest, downcast look not often to be met with among the New
Mexican females.
I was informed to my surprise that she had been married several years
before, and was now a widow. There was an air of gentle and deep
melancholy in her face which drew my attention to her; but when one
week afterward I left Taos, and went down to Santa Fé, the pretty widow
was forgotten.
Public-domain text, read in full here on John Shaqi.
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