American short stories : $b Selected and edited with an introductory essay on the short story by Charles Sears Baldwin
General
American short stories : $b Selected and edited with an introductory essay on the short story by Charles Sears Baldwin
American fiction -- 19th century; Short stories, American
In hurrying to the cañon, the Nabajo lost several men and more
of the cattle; but when they had once entered its rocky jaws, and the
Pueblo turned back, still more than half the plunder remained with the
robbers. Fifteen Nabajos only were left dead; and the remainder were
borne off before their comrades. The Pueblos lost nearly one third of
their number.
“It was this fight, sir, this inroad of the Nabajos, which brought me
acquainted with the young widow of whom we have spoken before. She was
then an unmarried girl of fourteen; and a very pretty girl too was La
Señorita Ana Maria Ortega. I need not trouble you with descriptions of
her; for she has saved me the trouble by appearing to your eyes in that
sublime place, a fandango--when you first saw the charms of New Mexican
beauty, and had your eyes ravished with the melody and harmony of a
Spanish waltz--I beg Spain’s pardon--a New Mexican waltz.”
“Which waltz,” said I, “I heard the next morning played over a coffin
at a funeral; and in the afternoon, in the procession of the Host.”
“Oh! that is common. Melody, harmony, fiddle, banjo, and all--all is
common to all occasions. They have but little music, and they are right
in being economical with it; and the presence of the priest sanctifies
anything. You know the people of Taos?”
“Yes. The people were afraid to get drunk on my first fandango night.
I was astonished to find them so sober. The priest was there; and they
feared to get drunk until he had done so. That event took place about
eleven at night, and then _aguadiente_ was in demand.”
Public-domain text, read in full here on John Shaqi.
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