In this wise ended Poor Richard’s jest. Franklin’s style throughout is so simple and direct that one is at first inclined to scout the suggestion that the joke is not entirely original. It is impossible, however, to suppose that Franklin, with his broad reading, did not know Squire Bickerstaff’s. The development of the humor is wholly imitated. But Franklin made the method his own so thoroughly that his wit has those keener, subtler, more agile qualities which have distinguished American from the slower and sedater humor of the English. In the Bickerstaff jocularity evidences of the death of Partridge are enumerated in material surroundings of a not too prosperous London quack. Franklin, on the other hand, ironically and graphically reasons upon supposititious traits and qualities of character and breeding. In England, Swift’s squib having given the death-blow to astrology, “Merlinus Liberatus, by John Partridge,” was published years after, but shorn of its specious and misleading pretences. Franklin’s jesting was more self-seeking. Not one of Franklin’s biographers or editors has referred to the Bickerstaff joke. Upon the contrary, in an “Introduction to Fac-simile of Poor Richard’s Almanack for 1733,” published by The Duodecimos in 1894, it is asserted that Franklin “in a strain of delightful satire upon the already venerable pretensions of almanac-makers to foretell the future, ... disposes of this difficulty by a method so novel, so ingenious, and withal of an illuminating power so far-reaching as to set the whole colony talking about it.” It need hardly be added that none of Swift’s biographers--all being English--have hinted at Franklin’s pleasantry. The inextinguishable laughter--the true Homeric ἄσβεστος γέλως--which is the atmosphere of both incidents, fits them to rank with the imaginary durance of Sancho Panza upon his island, or with Tartarin in Tarascon, or, to go to the first humor of literature, with the advance and retreat of Thersites in the council of Zeus-nourished kings. And in Britain and America all our heroes were real. * * * * * Upon other occasions than the Saunders-Leeds jesting Franklin loved playful feint; he had “Bagatelles” for his delight. It was a quizzical side of the character which made him the first of our notable American humorists. To amuse himself with an oriental apologue which he called “The Parable of Persecution,” he had the story bound with a Bible. From this book he would read the legend aloud, amazing his auditors that so beautiful a scriptural passage had escaped their knowledge. The form in which Franklin cast the tale is this: “And it came to pass after these things, that Abraham sat in the door of his tent, about the going down of the sun. “And behold a man, bowed with age, came from the way of the wilderness, leaning on a staff.