All of Hosmer’s hymns in recent use will be found in both the Unitarian collections—_The New Hymn and Tune Book_, 1914, and _Hymns of the Spirit_, 1937, except where initials indicate one or the other book, as follows:—Nos. 1, 2, 3, 5, 6, 7 (N.H.T.B.), 8, 10 (N.H.T.B.), 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26 (H.S.), 29 (H.S.), 30, 31, 32, 34 (H.S,), 35, 36, 37, 39, 40, 41, 42, 43. Nos. 10, 17, 24, 30 and 40 are included in the Protestant Episcopal _Hymnal_, 1940. J. 1650 H.W.F. Howe, Mrs. Julia (Ward), New York, New York, May 27, 1819—October 17, 1910, Boston, Massachusetts. Married Samuel Gridley Howe on April 26, 1843. She was a woman with a distinguished personality and intellect; an Abolitionist and active in social reforms; author of several books in prose and verse. The latter include _Passion Flower_, 1854; _Words of the Hour_, 1856; _Later Lyrics_, 1866; and _From a Sunset Ridge_, 1896. She became famous as the author of the poem entitled “Battle Hymn of the Republic,” beginning, _Mine eyes have seen the glory of the coming of the Lord_, which, in spite of its title, was written as a patriotic song and not as a hymn for use in public worship, but which has been included in many American hymn books. It was written on November 19, 1861, while she and her husband, accompanied by their pastor, Rev. James Freeman Clarke, _q.v._, minister of the (Unitarian) Church of the Disciples, Boston, were visiting Washington soon after the outbreak of the Civil War. She had seen the troops gathered there and had heard them, singing “John Brown’s body lies a-mouldering in the grave” to a popular tune called “Glory, Hallelujah” composed a few years earlier by William Steffe of Charleston, South Carolina, for Sunday School use. Dr. Clarke asked Mrs. Howe if she could not write more uplifting words for the tune and as she awoke early the next morning she found the verses forming in her mind as fast as she could write them down, so completely that later she re-wrote only a line or two in the last stanza and changed only four words in other stanzas. She sent the poem to _The Atlantic Monthly_, which paid her $4 and published it in its issue for February, 1862. It attracted little attention until it caught the eye of Chaplain C. C. McCabe (later a Methodist bishop) who had a fine singing voice and who taught it first to the 122d Ohio Volunteer Infantry regiment to which he was attached, then to other troops, and to prisoners in Libby Prison after he was made prisoner of war. Thereafter it quickly came into use throughout the North as an expression of the patriotic emotion of the period. J. 1652 H.W.F.