Short stories, American; United States -- Social life and customs -- Fiction
The Attendance was sitting on the ground, his legs spread before him in
an angle of forty-five degrees, each foot arched in a secure grip of a
bunch of cogon grass. These legs were bare as far up as they went, and,
in fact, no trace of clothing was reached until the eye met the lower
fringe of an indescribable undershirt modestly veiling the upper half of
a rotund little paunch; an indescribable undershirt, truly, for
observation could not reach the thing itself, but only the dirt
incrusting it so that it hung together, rigid as a knight's iron
corslet, in spite of monstrous tears and rents. Between the teeth of the
Attendance was a long, thick cheroot, wound about with hemp fiber, at
which he pulled with rounded mouth. Hitched around his right wrist was
the kite string, and between his legs a stick spindled with an extra
hundred yards. At intervals he hauled hand-over-hand upon the taut line,
and then the landscape vibrated to the buzz-saw song which had so
compellingly recalled the Maestro to his eternal pursuit.
As the shadow of the horse fell upon him, the Attendance brought his
eyes down from their heavenly contemplation, and fixed them upon the
rider. A tremor of dismay, mastered as soon as born, flitted over him;
then, silently, with careful suppression of all signs of haste, he
reached for a big stone with his little yellow paw, then for a stick
lying farther off. Using the stone as a hammer, he drove the stick into
the ground with deliberate stroke, wound the string around it with
tender solicitude, and then, everything being secure, just as the
Maestro was beginning his usual embarrassing question:
"Why are you not at school, eh?"
He drew up his feet beneath him, straightened up like a jack-in-a-box,
took a hop-skip-jump, and with a flourish of golden heels, flopped
head-first into the roadside ditch's rank luxuriance.
"The little devil!" exclaimed the disconcerted Maestro. He dismounted
and, leading his horse, walked up to the side of the ditch. It was full
of the water of the last baguio. From the edge of the cane-field on the
other side there cascaded down the bank a mad vegetation; it carpeted
the sides, arched itself above in a vault, and inside this recess the
water was rotting, green-scummed; and a powerful fermentation filled the
nostrils with hot fever-smells. In the center of the ditch the broad,
flat head of a caribao emerged slightly above the water; the floating
lilies made an incongruous wreath about the great horns and the
beatifically-shut eyes, and the thick, humid nose exhaled ecstasy in
shuddering ripplets over the calm surface.
Filled with a vague sense of the ridiculous, the Maestro peered into the
darkness. "The little devil!" he murmured. "He's somewhere in here; but
how am I to get him, I'd like to know. Do you see him, eh, Mathusalem?"
he asked of the stolid beast soaking there in bliss.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account