Men take a strange perverted pride in this mournful sameness of
attire,--delight in wearing a hat like every other man's hat, are
content that it should be a perfected miracle of ugliness, that it
should be hot, that it should be heavy, that it should be disfiguring,
if only they can make sure of seeing fifty, or a hundred and fifty,
other hats exactly like it on their way downtown. So absolute is this
uniformity that the late Marquess of Ailesbury bore all his life a
reputation for eccentricity, which seems to have had no other
foundation than the fact of his wearing hats, or rather a hat, of
distinctive shape, chosen with reference to his own head rather than
to the heads of some odd millions of fellow citizens. The story is
told of his standing bare-headed in a hatter's shop, awaiting the
return of a salesman who had carried off his own beloved head-gear,
when a shortsighted bishop entered, and, not recognizing the peer,
took him for an assistant, and handed him _his_ hat, asking him if
he had any exactly like it. Lord Ailesbury turned the bishop's hat
over and over, examined it carefully inside and out, and gave it back
again. "No," he said, "I haven't, and I'll be damned if I'd wear it,
if I had."
Even before the establishment of the invincible despotism which
clothes the gentlemen of Christendom in a livery, we find the
masculine mind disposed to severity in the ruling of fashions. Steele,
for example, tells us the shocking story of an English gentleman who
would persist in wearing a broad belt with a hanger, instead of the
light sword then carried by men of rank, although in other respects
he was a "perfectly well-bred person." Steele naturally regarded
this acquaintance with deep suspicion, which was justified when,
twenty-two years afterwards, the innovator married his cook-maid.
"Others were amazed at this," writes the essayist, "but I must
confess that I was not. I had always known that his deviation from
the costume of a gentleman indicated an ill-balanced mind."
Public-domain text, read in full here on John Shaqi.
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