Less commercial, but quite as importunate, are the correspondents
who belong to literary societies, and who have undertaken to read,
before these select circles, papers upon every conceivable subject,
from the Bride of the Canticle to the divorce laws of France. They
regret their own ignorance--as well they may--and blandly ask for
aid. There is no limit to demands of this character. The young
Englishwoman who wrote to Tennyson, requesting some verses which she
might read as her own at a picnic, was not more intrepid than the
American school-girl who recently asked a man of letters to permit
her to see an unpublished address, as she had heard that it dealt
with the subject of her graduation paper, and hoped it might give
her some points. It is hard to believe that the timidity natural to
youth--or which we used to think natural to youth--could be so easily
overcome; or that the routine of school work, which makes for honest
if inefficient acquirements, could leave a student still begging or
borrowing her way.
We must in justice admit, however, that the unknown correspondent
is as ready to volunteer assistance as to demand it. He is ingenious
in criticism, and fertile in suggestions. He has inspirations in the
way of plots and topics,--like that amiable baronet, Sir John
Sinclair, who wanted Scott to write a poem on the adventures and
intrigues of a Caithness mermaiden, and who proffered him, by way
of inducement, "all the information I possess." The correspondent's
tone, when writing to humbler drudges in the field, is kind and
patronizing. He admits that he likes your books, or at least--here
is a veiled reproach--that he "has liked the earlier ones"; he
assumes, unwarrantably, that you are familiar with his favourite
authors; and he believes that it would be for you "an interesting
and congenial task" to trace the "curious connection" between
American fiction and the stock exchange. Sometimes, with thinly
veiled sarcasm, he demands that you should "enlighten his dulness,"
and say _why_ you gave your book its title. If he cannot find a French
word you have used in his "excellent dictionary," he thinks it worth
while to write and tell you so. He fears you do not "wholly understand
or appreciate the minor poets of your native land"; and he protests,
more in sorrow than in anger, against certain innocent phrases with
which you have disfigured "your otherwise graceful pages."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account