Americans by adoption : $b Brief biographies of great citizens born in foreign landsHusband, Joseph
History
Americans by adoption : $b Brief biographies of great citizens born in foreign lands
Husband, Joseph
United States -- Biography
With the early end of his school days Augustus turned to the actual
earning of his daily bread. He was thirteen years old. To his
father’s question as to what kind of work appealed most strongly
to him he had answered, “I should like it if I could do something
which would help me to be an artist.” It was a decision that must
have seemed strange to the father, who perhaps had seen in the boy a
possible assistant in his growing business; but wisely he respected
the desire that Augustus expressed, and a few weeks later the boy was
apprenticed to a Frenchman named Avet, the first stone-cameo cutter
in America.
A cameo is a fine relief of a human head, or the head of an animal,
cut in a stone or shell, often so done as to show the design in a
layer of one color with another color as a background. The stones,
which were usually amethysts or malachite, were at that period
extremely fashionable, and were worn in rings, or scarf-pins, or
breast-pins by men and women. The work was fine and required skill
and patience and artistic ability; so for a long time Augustus was
limited to the preparation of the stones, which Avet would finish
and later sell to the leading jewelers of the city.
Avet was a hard taskmaster and the monotonous labor over the whirring
lathe was irksome to the red-blooded boy, who looked up from the
spinning-wheel at the white clouds sailing across the little window
above him and heard the rumble of wheels and the hum of life in the
distant street. But in his few hours of leisure there were glimpses
of stirring events never to be forgotten. There was the excitement
attending the election of Abraham Lincoln to the Presidency, “Honest
Abe, the Rail-Splitter.” There was the recruiting of troops for the
great Civil War which for four long years racked the land. And later,
from the window in front of his lathe, Saint-Gaudens watched the
volunteers from New England as they tramped down Broadway, singing
“John Brown’s Body” as they marched.
Day after day Saint-Gaudens ground and turned the stones on his
lathe, and all day long he listened to the voice of Avet, scolding
and swearing as he worked. One day came the breaking-point. At noon
the boy had quietly eaten his luncheon from the little box which he
brought each morning with him to his work. Some crumbs had fallen on
the floor, and Avet, seeing them, burst into a fury and discharged
him on the spot. Without comment he folded up his overalls, left the
shop, and going at once to his father’s store, explained exactly
what had occurred. Within a few minutes Avet followed, apologetic
and promising even more money if the boy would return. Without
hesitation Saint-Gaudens refused, and in later life he often recalled
his father’s “proud smile” as he made his decision.
Public-domain text, read in full here on John Shaqi.
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