Amethyst: The Story of a BeautyColeridge, Christabel R. (Christabel Rose)
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Amethyst: The Story of a Beauty
Coleridge, Christabel R. (Christabel Rose)
England -- Social life and customs -- 19th century -- Fiction
"What all the world can feel, my dear boy, and only you can say,--that's
poetry."
"I--I am afraid," said Sylvester, "that Amelot's devotion to Iris is
rather unusual--the lot of the few. Dante is of course the eternal
model, after which one can only labour."
"A case in point, Syl," said Mr Riddell, briskly. "Thousands of young
men have fallen in love, like Dante, with unattainable young women. He
knew how to tell the world of it. Besides, Dante was a prophet; he had
another function to fulfil. But the simplest things are the greatest."
Sylvester did not agree, he was not at all prepared to consider that the
devotion of Amelot to Iris was usual; quite the contrary. It was an
exceptional grace bestowed on such as could receive it.
The point was, however, rather too personal for comfortable argument.
Besides, he did not know yet what his father thought about the poem.
"I gather," he said, "that you think the sentiment of the poem rather
too finespun."
"Oh dear, no," said Mr Riddell. "Not at all. I've often felt the sort
of thing myself. I'm glad young men can still be honestly sentimental.
Don't get too mystical, and avoid unusual words--all sorts of aesthetic
slang. The thing has a good deal of merit in its own way. I must go
down and see old Tomkins."
And while Sylvester hardly knew whether he was pleased or not, the
Rector rammed on his shabby soft hat, stuck his walking-stick under his
arm, and remarked--
"Glad you employ your leisure time so well Very pretty lines--many of
them--excellent tone and feeling. Of course the genuine lilt of a
perfect love-song only drops from the sky once in a generation."
Sylvester had hardly expected that his father would tell him that, in
Lucian's language, he had made Tennyson take a back seat; but he felt
ruffled and dissatisfied.
Sympathetic as Mr Riddell was, he did not quite know what his verdict
was to his son. He had written many a smooth and graceful copy of
verses in his own young days, reflecting more or less the style and
taste of his generation, and he had long survived the discovery that
they had not added much to what it had to tell the world. He had found
quite enough to live for, without poetry.
Sylvester was of a more intense and less many-sided nature; worthy and
sufficient objects in life did not seem to him so easy to find. He had
secretly lived much for his poem, and he needed to find it worth living
for.
Now, the thing most worth living for seemed to be the hope of seeing
Amethyst again. Fate had kept them apart hitherto by a series of
chances; but now, if the poem was finished, if it came out and was a
success, if he met her in London, if she did not cherish any resentment
against him--if she could ever know that Iris--
So Sylvester dreamed. But Lucian went up to London to meet the friend
who shared his aspirations as to the bears of the Rocky Mountains, and
made arrangements for an immediate start in pursuit of them.
CHAPTER EIGHTEEN.
GLIMPSES OF HEAVEN.
Public-domain text, read in full here on John Shaqi.
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