Amethyst: The Story of a BeautyColeridge, Christabel R. (Christabel Rose)
General
Amethyst: The Story of a Beauty
Coleridge, Christabel R. (Christabel Rose)
England -- Social life and customs -- 19th century -- Fiction
"Well," said Lady Haredale, "as there are only the Grattans and Mr
Carisbrooke coming, I don't see why you should not come in.--But, as I
was saying, we must try to make it pleasant and home-like for Charles.
He has not been all he should have been, but we must forget that."
"Yes, we know all about it, mother, all of us," said Tory,--"except
Carrie."
"Carrie is one of us now," said Lady Haredale, "so we won't make a
stranger of her."
Carrie, who adored Lady Haredale, smiled and coloured as she ran away to
dress for dinner; while Amethyst, as she too went up-stairs, remembered
the conversation they had held at Silverfold, and thought it strange
that Mr Oliver Carisbrooke and Charles Haredale should both make their
first visit on the same day.
Amethyst, like her mother, was "enjoying herself very much." She did
inherit the same liking for life, and for the pleasant things of life,
and, in spite of the occasional pressure of the past and of the future,
it was not wonderful that the present was enchanting to her. A cup,
rare, sweet, and intoxicating, was held to her lips, it was something to
taste so fine a flavour.
She was so full of life, that she would have enjoyed all the elements of
a London season heartily, if she had been but an insignificant figure in
it, and to feel herself to be one of its chief attractions, naturally
enhanced the charm. While the leaves in the Park were still young and
green, the air cool, and all the fine clothes fresh, the end of the
season seemed far away, and the result of it needed not to be
forestalled.
Neither success nor amusement ever made her forget Una, who played a
much more passive part in the great Masque of Pleasure in which they
were all engaged. It was for her, at any rate for the time being, an
outward show. Her real life was elsewhere. This was partly, of course,
because fatigue took off the edge of the pleasure, but quite as much
because nothing really interested her but her emotions. She did not
pass unnoticed even by Amethyst's side, being an uncommon and
interesting creature, with her extreme fragility and delicacy of
appearance, and absolute self-possession and indifference of manner.
She recollected, and probably knew more about, the prodigal brother than
Amethyst did, and she shrank nervously from his return. Amethyst had
learned to shrug her shoulders, and "make the best of a bad business."
She encouraged Una, and would not let her dwell on what Tory called "the
family crisis," but she was a little surprised that the two younger ones
also were evidently uncomfortable, and made a point of going down-stairs
under her protection.
Public-domain text, read in full here on John Shaqi.
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