Amethyst: The Story of a BeautyColeridge, Christabel R. (Christabel Rose)
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Amethyst: The Story of a Beauty
Coleridge, Christabel R. (Christabel Rose)
England -- Social life and customs -- 19th century -- Fiction
"We are all here but your uncle, my dear Carrie," said Lady Haredale,
glancing round.
"Perhaps he won't come. Sometimes he doesn't," said Carrie, in her
clear abrupt voice.
But "Mr Oliver Carisbrooke," chimed in with the end of her sentence,
and a small slight man, with a bronzed face and a little grey pointed
beard, came in. There was a little greeting and introducing, and then,
men being scarce, there was a difficulty as to pairing off for dinner.
Lady Haredale laughed, apologised, and went in with her two little
girls. Mr Carisbrooke was given to Miss Haredale, but Amethyst found
herself on his other side, and when she turned away from Sir Richard
Grattan to give him courteously a small share of her attention, making
some trivial remark about the London season, he looked at her keenly for
a moment, and said--
"You find it very delightful?"
Amethyst was suddenly seized with the most curious self-questioning, and
felt as if she wanted to settle with herself, first of all the fact of
her delight, and then the why and the wherefore of it, before she
answered--as of course she did--
"Oh yes, I do indeed."
CHAPTER TWENTY.
THE BEAUTY.
A soiree was held at a new and fashionable Art Gallery, the shining
lights alike of Fame and Fashion were streaming in at the doors, and
spreading themselves through the rooms, when Sylvester Riddell sprang
out of a hansom cab, and mounted the steps, glancing about him at the
various celebrities as he passed, exchanging greetings with his friends,
and watching secretly for one face.
"Iris" had just made its appearance before the public. Sylvester, at
present, was suffering from a fit of depression as to its merits, and
was disposed to think that it would be an utter failure. His father's
criticisms rang in his ears, and were echoed by his own understanding,
and he had felt himself so unable to decide as to the hero's final fate,
that he had left the poem unfinished, calling it "_Iris, as far as
Manifested_" and had taken leave of Amelot, still straining after the
mystic vision.
Some of his friends told him that this indefiniteness was far more
artistic than a commonplace conclusion, but he knew that his father
would never grant that imagination could result in vagueness. He did
not think himself that it could, but for him the story of Iris was still
incomplete, and he could not decide on its outcome. Lucian was off to
the Rocky Mountains; and the interest of Sylvester's life had consisted
in picking up reports as to the success of the new beauty.
Public-domain text, read in full here on John Shaqi.
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