Amethyst: The Story of a BeautyColeridge, Christabel R. (Christabel Rose)
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Amethyst: The Story of a Beauty
Coleridge, Christabel R. (Christabel Rose)
England -- Social life and customs -- 19th century -- Fiction
"Then, since you like this picture, I shall add it to the landscapes by
modern artists with which I am filling the dining-room at Merrifield
House," said Sir Richard. "I have secured the refusal of it. You think
it good, Miss Haredale."
Amethyst stood between the two men, and glanced from one to the other,
from the pale, finely-finished prince, like one of his own old pictures,
to the florid, substantial baronet, who seemed to carry his prosperity
written on his face.
Was she really weighing their merits in the balance? Or was she amusing
herself with their pretensions, like any little suburban belle with a
pair of rival partners, playing a common game with exceptionally
splendid playthings?
It did not occur to the miserable Sylvester that she was actuated by
another motive, that she was showing the man who had once misjudged and
injured her, how little harm he had been able to do; that the person she
was chiefly conscious of was himself. He only felt that he had lost
Iris, in seeing Amethyst.
She plunged into a discussion on the respective merits of ancient and
modern art, in which Sylvester perceived that she talked with skill, and
pulled both her admirers out of their depths. Suddenly she paused,
looked across the room, with attention suddenly caught, turned to Sir
Richard Grattan, and said--
"I should like to find my sister now. Will you take me to her?"
Una, dressed in pale yellow, with some large delicate daffodils on her
shoulder, rather like a pale daffodil herself in her fragile
slenderness, was not without admirers, but she had little attention to
spare for them. To her, at any rate, the sight of Sylvester recalled
the most miserable hours of her life; and, with a self-absorption and
want of appreciation only possible to early youth, the thought of the
conservatory at Loseby, of the pond in the wood at Cleverley, blotted
out alike the brilliant people and the beautiful pictures now before her
eyes. In her excuse, it may be said that she was very tired, her head
and back were aching. Standing was a painful effort, so she sat down on
a bench, near the rest of her party, and lost herself in wondering,
whether the wretched impulse that had once driven her to plunge into the
cold muddy pool from which Sylvester had rescued her, had been the
unpardonable sin that she often felt it to be. How hateful were the
memories of that childish delusion and folly! Her life, since then, had
indeed become new.
She turned her head idly to look for Amethyst, and suddenly her heart
stopped beating, and then began to throb with suffocating violence. Two
figures detached themselves from the crowd, and came towards her mother.
One was an insignificant little lady, sumptuously dressed, the other, a
tall man with stiff moustaches and bold outlooking eyes.
"Why, it's Tony!" exclaimed Lady Haredale, "and Mrs Fowler too! Why,
it's ages since we met! What a pleasure! How are you? when did you
come to town?"
Public-domain text, read in full here on John Shaqi.
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