Amethyst: The Story of a BeautyColeridge, Christabel R. (Christabel Rose)
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Amethyst: The Story of a Beauty
Coleridge, Christabel R. (Christabel Rose)
England -- Social life and customs -- 19th century -- Fiction
"Oh, it's only that he gave me a new idea. I want to work it out. So
you see, no one thing ought to spoil everything else. Of course we're
none of us likely to expect beds of roses, we've learned our lesson.
But when there are so many chances, it is wise and right to take the
life that offers the most--the most chances of doing, and being."
Una's hair was finished by this time, and she stood up in her long white
dressing-gown, leaning her hand on the toilet-table, and looking at her
sister with searching eyes.
"Amethyst," she said, "I don't believe you were ever really in love with
Lucian Leigh at all."
The colour flamed into Amethyst's face, and her bosom heaved.
"Yes, I was," she said, "but that's just what I want to show you.
That's over, but one isn't all heart, any more than I hope and believe
one is all face. One has a mind, and a soul, and possibilities. I
won't go to the bottom, if I was shipwrecked once. Nothing can ever
take up the whole of one, I suppose. I thought it could then. Now if I
don't get ready quick, I shall be late."
She ran away as she spoke. It was not her way to neglect the necessity
of the moment, and she made such good speed, that she was in the
drawing-room before any of the guests arrived. On the table lay a thin
square book bound in bluish-green, with a silver iris in the corner.
"Sylvester Riddell's poem, my dear," said Lady Haredale. "I bought it
when I was out with the children. He'll like to see it on the table.
Look at it, then you can talk to him about it."
Amethyst took it up, and glanced over the pages. She was a rapid
reader, and in a very few minutes, she caught the idea of the poem, the
passionate search for an ideal, and it attracted her. Did it contradict
the philosophy which she had been preaching to Una, or was it in truth
its justification? The look of interest was still on her face, the book
in her hand, when its author was announced, and, when she put it down
and greeted him with a delightful smile, as of one caught in the act,
Sylvester felt that all the reviews in London might cut `Iris' to
pieces. She had had her day.
He sat by Amethyst at dinner, and neither prince nor millionaire was
there to claim her attention. She appeared neither cold nor resentful,
and that she was somewhat excited, he did not guess. Her lovely eyes,
with their mysterious depths, were turned upon him, and she referred to
his poem with a certain modest deference, as if in explaining it, he did
her an honour. Sylvester had never known before, how utterly he had
failed to express his hero's rapture, when Iris shone upon him with no
cloud between.
"It is no new subject," he said, modestly, "but the idea possessed me--"
Public-domain text, read in full here on John Shaqi.
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