Amiel's Journal: The Journal Intime of Henri-Frédéric AmielAmiel, Henri Frédéric
Philosophy
Amiel's Journal: The Journal Intime of Henri-Frédéric Amiel
Amiel, Henri Frédéric
Amiel, Henri Frédéric, 1821-1881 -- Diaries; Authors, Swiss -- 19th century -- Diairies
March 8, 1868.--Madame----kept me to have tea with three young friends
of hers--three sisters, I think. The two youngest are extremely pretty,
the dark one as pretty as the blonde. Their fresh faces, radiant with
the bloom of youth, were a perpetual delight to the eye. This electric
force of beauty has a beneficent effect upon the man of letters; it acts
as a real restorative. Sensitive, impressionable, absorbent as I am,
the neighborhood of health, of beauty, of intelligence and of goodness,
exercises a powerful influence upon my whole being; and in the same way
I am troubled and affected just as easily by the presence near me of
troubled lives or diseased souls. Madame ---- said of me that I must be
“superlatively feminine” in all my perceptions. This ready sympathy
and sensitiveness is the reason of it. If I had but desired it ever so
little, I should have had the magical clairvoyance of the somnambulist,
and could have reproduced in myself a number of strange phenomena. I
know it, but I have always been on my guard against it, whether from
indifference or from prudence. When I think of the intuitions of every
kind which have come to me since my youth, it seems to me that I have
lived a multitude of lives. Every characteristic individuality shapes
itself ideally in me, or rather molds me for the moment into its own
image; and I have only to turn my attention upon myself at such a time
to be able to understand a new mode of being, a new phase of human
nature. In this way I have been, turn by turn, mathematician, musician,
_savant_, monk, child, or mother. In these states of universal sympathy
I have even seemed to myself sometimes to enter into the condition of
the animal or the plant, and even of an individual animal, of a given
plant. This faculty of ascending and descending metamorphosis, this
power of simplifying or of adding to one’s individuality, has sometimes
astounded my friends, even the most subtle of them. It has to do
no doubt with the extreme facility which I have for impersonal and
objective thought, and this again accounts for the difficulty which I
feel in realizing my own individuality, in being simply one man having
his proper number and ticket. To withdraw within my own individual
limits has always seemed to me a strange, arbitrary, and conventional
process. I seem to myself to be a mere conjuror’s apparatus, an
instrument of vision and perception, a person without personality, a
subject without any determined individuality--an instance, to speak
technically, of pure “determinability” and “formability,” and therefore
I can only resign myself with difficulty to play the purely arbitrary
part of a private citizen, inscribed upon the roll of a particular town
or a particular country. In action I feel myself out of place; my true
_milieu_ is contemplation. Pure virtuality and perfect equilibrium--in
these I am most at home. There I feel myself free, disinterested, and
sovereign. Is it a call or a temptation?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account