Amiel's Journal: The Journal Intime of Henri-Frédéric AmielAmiel, Henri Frédéric
Philosophy
Amiel's Journal: The Journal Intime of Henri-Frédéric Amiel
Amiel, Henri Frédéric
Amiel, Henri Frédéric, 1821-1881 -- Diaries; Authors, Swiss -- 19th century -- Diairies
A thousand thoughts wandered through my brain. I thought how much
history it had taken to make what I saw possible; Judaea, Egypt, Greece,
Germany, Gaul; all the centuries from Moses to Napoleon, and all the
zones from Batavia to Guiana, had united in the formation of this
gathering. The industry, the science, the art, the geography, the
commerce, the religion of the whole human race, are repeated in every
human combination; and what we see before our own eyes at any given
moment is inexplicable without reference to all that has ever been. This
interlacing of the ten thousand threads which necessity weaves into the
production of one single phenomenon is a stupefying thought. One feels
one’s self in the presence of law itself--allowed a glimpse of the
mysterious workshop of nature. The ephemeral perceives the eternal.
What matters the brevity of the individual span, seeing that the
generations, the centuries, and the worlds themselves are but occupied
forever with the ceaseless reproduction of the hymn of life, in all
the hundred thousand modes and variations which make up the universal
symphony? The motive is always the same; the monad has but one law:
all truths are but the variation of one single truth. The universe
represents the infinite wealth of the Spirit seeking in vain to exhaust
all possibilities, and the goodness of the Creator, who would fain share
with the created all that sleeps within the limbo of Omnipotence.
To contemplate and adore, to receive and give back, to have uttered
one’s note and moved one’s grain of sand, is all which is expected from
such insects as we are; it is enough to give motive and meaning to our
fugitive apparition in existence....
After the concert was over the paved esplanade behind the hotels and the
two roads leading to the Hague were alive with people. One might have
fancied one’s self upon one of the great Parisian boulevards just when
the theaters are emptying themselves--there were so many carriages,
omnibuses, and cabs. Then, when the human tumult had disappeared, the
peace of the starry heaven shone out resplendent, and the dreamy glimmer
of the Milky Way was only answered by the distant murmur of the ocean.
_Later_.--What is it which has always come between real life and me?
What glass screen has, as it were, interposed itself between me and the
enjoyment, the possession, the contact of things, leaving me only the
role of the looker-on?
False shame, no doubt. I have been ashamed to desire. Fatal result
of timidity, aggravated by intellectual delusion! This renunciation
beforehand of all natural ambitions, this systematic putting aside of
all longings and all desires, has perhaps been false in idea; it has
been too like a foolish, self-inflicted mutilation. Fear, too, has had a
large share in it--
“La peur de ce que j’aime est ma fatalité.”
Public-domain text, read in full here on John Shaqi.
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