Amiel's Journal: The Journal Intime of Henri-Frédéric AmielAmiel, Henri Frédéric
Philosophy
Amiel's Journal: The Journal Intime of Henri-Frédéric Amiel
Amiel, Henri Frédéric
Amiel, Henri Frédéric, 1821-1881 -- Diaries; Authors, Swiss -- 19th century -- Diairies
February 5, 1853 (seven o’clock in the morning).--I am always astonished
at the difference between one’s inward mood of the evening and that
of the morning. The passions which are dominant in the evening, in the
morning leave the field free for the contemplative part of the soul. Our
whole being, irritated and overstrung by the nervous excitement of
the day, arrives in the evening at the culminating point of its human
vitality; the same being, tranquilized by the calm of sleep, is in the
morning nearer heaven. We should weigh a resolution in the two balances,
and examine an idea under the two lights, if we wish to minimize the
chances of error by taking the average of our daily oscillations. Our
inner life describes regular curves, barometical curves, as it were,
independent of the accidental disturbances which the storms of sentiment
and passion may raise in us. Every soul has its climate, or rather, is
a climate; it has, so to speak, its own meteorology in the general
meteorology of the soul. Psychology, therefore, cannot be complete so
long as the physiology of our planet is itself incomplete--that science
to which we give nowadays the insufficient name of physics of the globe.
I became conscious this morning that what appears to us impossible is
often an impossibility altogether subjective. Our mind, under the
action of the passions, produces by a strange mirage gigantic obstacles,
mountains or abysses, which stop us short. Breathe upon the passion and
the phantasmagoria will vanish. This power of mirage, by which we are
able to delude and fascinate ourselves, is a moral phenomenon worthy
of attentive study. We make for ourselves, in truth, our own spiritual
world monsters, chimeras, angels, we make objective what ferments in us.
All is marvelous for the poet; all is divine for the saint; all is great
for the hero; all is wretched, miserable, ugly, and bad for the base and
sordid soul. The bad man creates around him a pandemonium, the artist,
an Olympus, the elect soul, a paradise, which each of them sees for
himself alone. We are all visionaries, and what we see is our soul in
things. We reward ourselves and punish ourselves without knowing it, so
that all appears to change when we change.
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