Books and reading; Literature -- History and criticism
We now begin the study of the last of the three stages in the battle
between paganism and idealism. Having seen something of its primitive
and classical forms, we took a cross section of it in the seventeenth
century, and now we shall review one or two of its phases in our own
time. The leap from the seventeenth century to the twentieth necessarily
omits much that is vital and interesting. The eighteenth century, in its
stately and complacent fashion, produced some of the most deliberate and
finished types of paganism which the world has seen, and these were
opposed by memorable antagonists. We cannot linger there, however, but
must pass on to that great book which sounded the loudest bugle-note
which the nineteenth century heard calling men to arms in this warfare.
Nothing could be more violent than the sudden transition from Samuel
Pepys, that inveterate tumbler in the masque of life, whose absurdities
and antics we have been looking at but now, to this solemn and
tremendous book. Great in its own right, it is still greater when we
remember that it stands at the beginning of the modern conflict between
the material and spiritual development of England. Every student of the
fourteenth century is familiar with two great figures, typical of the
two contrasted features of its life. On the one hand stands Chaucer,
with his infinite human interest, his good-humour, and his inexhaustible
delight in man's life upon the earth. On the other hand, dark in shadows
as Chaucer is bright with sunshine, stands Langland, colossal in his
sadness, perplexed as he faces the facts of public life which are still
our problems, earnest as death. There is no one figure which corresponds
to Chaucer in the modern age, but Carlyle is certainly the counterpart
of Langland. Standing in the shadow, he sends forth his great voice to
his times, now breaking into sobs of pity, and anon into shrieks of
hoarse laughter, terrible to hear. He, too, is bewildered, and he comes
among his fellows "determined to pluck out the heart of the
mystery"--the mystery alike of his own times and of general human life
and destiny.
The book is in a great measure autobiographical, and is drawn from deep
wells of experience, thought, and feeling. Inasmuch as its writer was a
very typical Scotsman, it also was in a sense a manifesto of the
national convictions which had made much of the noblest part of Scottish
history, and which have served to stiffen the new races with which
Scottish emigrants have blended, and to put iron into their blood. It is
a book of incalculable importance, and if it be the case that it finds
fewer readers in the rising generation than it did among their fathers,
it is time that we returned to it. It is for want of such strong meat as
this that the spirit of an age tends to grow feeble.
Public-domain text, read in full here on John Shaqi.
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