Another reason for not taking this phase too seriously is that it was quite inevitable that some such reaction should follow upon the huge solemnities of Carlyle. Just as in literature, after the classic formality of Johnson and his contemporaries, there must come the reaction of the Romantic School, which includes Sir Walter Scott, Byron, and Burns; so here there must be an inevitable reaction from austerity to a daring freedom which will take many various forms. From Carlyle's solemnising liturgy we were bound to pass to the slang and colloquialism of the man in the street and the woman in the modern novel. Body and spirit are always in unstable equilibrium, and an excess of either at once swings the fashion back to the other extreme. Carlyle had his day largely in consequence of what one may call the eighteenth-century glut--the Georgian society and its economics, and the Byronic element in literature. The later swing back was as inevitable as Carlyle had been. Perhaps it was most clearly noticed after the deaths of Browning and Tennyson, in the late eighties and the early nineties. But both before and since that time it has been very manifest in England. But beyond all these things there is the general fact that before any literature becomes pagan the land must first have been paganised. Of course there is always here again a reaction of mutual cause and effect between literature and national spirit. Carlyle himself, in his doctrine of heroes, was continually telling us that it is the personality which produces the _zeitgeist_, and not _vice versa_. On the other hand it is equally certain that no personality is independent of his age and the backing he finds in it, or the response which he may enlist for his revolt from it. Both of these are true statements of the case; as to which is ultimate, that is the old and rather academic question of whether the oak or the acorn comes first. We repeat that it is impossible, in this double play of cause and effect, to say which is the ultimate cause and which the effect. The controversy which was waged in the nineteenth century between the schools of Buckle and Carlyle is likely to go on indefinitely through the future. But what concerns us at present is this, that all paganism which finds expression in a literature has existed in the age before it found that expression. The literature is indeed to some extent the creator of the age, but to a far greater extent it is the expression of the age, whose creation is due to a vast multiplicity of causes.