Books and reading; Literature -- History and criticism
For there is here an absolutely colossal egotism. There are certain
newspapers which usually begin with a note of the hours of sunrise and
sunset. During the recent coal strike, some of these newspapers inserted
first of all a notice that they would not be sent out so early as usual,
and then cheered our desponding hearts by assuring us that the sun rises
at 5.37 notwithstanding--as if by permission of the newspaper. Mr. Shaw
somehow gives us a similar impression. Most things in the universe seem
to go on by his permission, and some of them he is not going to allow to
go on much longer. He will tilt without the slightest vestige of
humility against any existing institution, and the tourney is certainly
one of the most entertaining and most extraordinary of our time.
No one can help admiring Mr. Shaw. The dogged persistence which has
carried him, unflinching, through adversity into his present fame,
without a single compromise or hesitation, is, apart altogether from the
question of the truth of his opinions, an admirable quality in a man. We
cannot but admire his immense forcefulness and agility, the fertility of
his mind, and the swiftness of its play. But we utterly refuse to fall
down and worship him on account of these. Indeed the kind of awe with
which he is regarded in some quarters seems to be due rather to the
eccentricities of his expression than to the greatness of his message or
the brilliance of his achievements.
There is no question of his earnestness. The Puritan is deep in Mr.
Shaw, in his very blood. He has indeed given to the term Puritan a
number of unexpected meanings, and yet no one can justly question his
right to it. His _Plays for Puritans_ are not exceptional in this
matter, for all his work is done in the same spirit. His favourite
author is John Bunyan, about whom he tells us that he claims him as the
precursor of Nietzsche, and that in his estimation John Bunyan's life
was one long tilt against morality and respectability. The claim is
sufficiently grotesque, yet there is a sense in which he has a right to
John Bunyan, and is in the same line as Thomas Carlyle. He is trying
sincerely to speak the truth and get it spoken. He appears as another of
the destroyers of shams, the breakers of idols. He may indeed be claimed
as a pagan, and his influence will certainly preponderate in that
direction; and yet there is a strain of high idealism which runs
perplexingly through it all.
Public-domain text, read in full here on John Shaqi.
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