Among the gnomes : $b An occult tale of adventure in the UntersbergHartmann, Franz
Science
Among the gnomes : $b An occult tale of adventure in the Untersberg
Hartmann, Franz
Fantasy fiction; German fiction -- Translations into English
The king, having still a certain amount of perception of truth, did not
get at all excited upon hearing this news, but lighting his pipe, he
took a few whiffs, and said:
“What about it? I do not blame them; we can do nothing else but retire.”
Just then the princess entered, and, hearing these words, she exclaimed:
“Rot! who ever heard of a king of the gnomes being afraid of the
spirits of the air?”
“I never,” replied the king.
“Well then,” continued Adalga, “we must beat back the intruders, and
force our way through their kingdom.”
The king was easily influenced, especially when his ambition was
touched. Therefore the words of the princess caused him to fly into a
rage. First he grew red in the face, his features expanded from ear to
ear like an india-rubber bag. Next, he jumped several feet from the
ground and came down again with a thump. After that he threw his pipe
upon the floor so that it broke, and stamped upon it with his foot.
Finally, he lowered his head and butted it against Cravatu; and, after
all this was done, he began to yell, crying at the top of his voice:
“We must drive the rascals away! We must force a passage through them!”
A tumult was heard in the ante-room, and directly numerous gnomes
rushed in. They were merchants and traders, and came to make offers
for furnishing supplies for the army. They were under-bidding each
other, each offering to the king a greater bribe for accepting his
offer. The king accepted some of the bargains which seemed to afford
to him the greatest profit for his private purse, and the goods were
delivered. They consisted of barrels labelled “flour,” and filled with
sand, carloads of “leather shoes” made of paste-board, wooden hams,
and cartridges filled with sawdust; also something that looked like a
cannon, but it was made of wood and varnished, so as to give it the
appearance of bronze.
We left the palace, and the blowing of horns indicated the locality
of the combat. On the way we met a train of wounded gnomes, some
exhibiting a pitiful aspect. All the wounded had terrible burns and
scalds, and the limbs of some were torn away. One poor fellow had lost
the whole of his lower jaw, which was dreadful to see, and he seemed to
suffer great pain.
“Why do not these people assume their ethereal forms and thus get rid
of their suffering bodies?” I asked the minister.
“This art,” answered Cravatu, “is now becoming very difficult, and
there are very few capable of exercising it, since we have become so
substantial. Moreover, these people cannot do so at all; because it is
necessary for that purpose that one should entirely forget his body,
and how could we do that, if the sensation of pain or of pleasure keeps
our attention fastened to it? For the purpose of throwing off the mask
of personality and entering into the state of selflessness, an entire
forgetfulness of self is required, such as is almost impossible to
attain in our present state of civilisation.”
Public-domain text, read in full here on John Shaqi.
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