Among unknown Eskimo: An account of twelve years intimate relations with the primitive Eskimo of ice-bound Baffin Land, with a description of their ways of living, hunting customs & beliefsBilby, Julian W.
Religion
Among unknown Eskimo: An account of twelve years intimate relations with the primitive Eskimo of ice-bound Baffin Land, with a description of their ways of living, hunting customs & beliefs
Bilby, Julian W.
Baffin Island (Nunavut); Eskimo mythology; Eskimos -- Religion
So the list goes on. It would doubtless have a value all its own for
the student of primitive imagery or fable, and form an addition to
ethnographical researches on the Eskimo; but to give it here in extenso
would perhaps serve little or no purpose.
CHAPTER XV
THE SEDNA CEREMONY
At the end of the arctic summer, before the young ice begins to form
again along the shores, there comes a spell of tempestuous weather,
with frequent storms and high, rough tides. Food grows more and more
scarce as sealing increases in risk and difficulty. Those intrepid
hunters who do venture out, return empty-handed day after day, and it
grows high time for something to be done. The goddess Sedna is supposed
to be causing these storms and all this dirty weather at sea, to
prevent her animals being killed. And so a conjuration has to be
performed to liberate the seals.
This is the occasion of the most elaborate festival in the Eskimo
calendar.
It begins by the conjurors, in full dress, calling the people
altogether to dispense them for a short space from their marriage ties.
Each witch doctor is masked, and clad in women’s clothing. The idea of
his amazing get-up, apart from the usual intention to awe the people by
grotesqueness or hideousness, is to disguise the face and body, to
efface as it were the well-known individual, to make the people lose
sight of the conjuror in the representation of a great power at work
among them. His dress is partly that of a man and partly that of a
woman, and he carries the usual implements used by both sexes. This is
to bring the needs of either before the great power, and to intercede
for their respective needs.
To begin with, the Angakok wears several pairs of nether garments and
boots, until he looks very big and out of his usual proportions. He has
a woman’s pointed tunic, whose sleeves are elaborately trimmed with
fringes and charms. The hood is pulled down over his head, and he wears
a mask of black skin tattooed all over. On his shoulders he carries an
inflated sealskin float, and over his arm a coil of walrus hide. In his
left hand he bears a woman’s skin scraper, and in his right a spear.
Thus caparisoned, he emerges from his tent and begins by pairing off
the couples.
Public-domain text, read in full here on John Shaqi.
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