Among unknown Eskimo: An account of twelve years intimate relations with the primitive Eskimo of ice-bound Baffin Land, with a description of their ways of living, hunting customs & beliefsBilby, Julian W.
Religion
Among unknown Eskimo: An account of twelve years intimate relations with the primitive Eskimo of ice-bound Baffin Land, with a description of their ways of living, hunting customs & beliefs
Bilby, Julian W.
Baffin Island (Nunavut); Eskimo mythology; Eskimos -- Religion
The underlying idea of much of all this is doubtless that of promoting
sociability and good feeling all round. The Eskimo are an intensely
sociable people, and, to the very limited extent of their powers and
opportunities, delight in entertainment. These festival songs, for
instance, have required a certain amount of preparation. They are
composed about some event that has taken place and caught the singer’s
attention. They have been rehearsed and, if successful, will be
repeated all through the long winter nights, when the folk spend so
much weather-bound time in visiting each other and exchanging tales and
gossip round the igloo lamps. No tribesman likes to be laughed at, so
he really does his best over his song.
There is a real groundwork of sense about the ceremony of visiting each
house in turn, and the scramble for presents. In the first place, it is
a symbol of goodwill and plenty. Each householder is expected to keep
up appearances by doing this sort of thing, and he uses every effort to
gain the wherewithal to meet the obligation. This militates against
laziness and any tendency to hoard—great crimes in the Eskimo
estimation of things. The hunter strains every nerve to provide the
things his neighbours scramble for, and the women of the village do
their utmost, so far as attractiveness and domesticity go, to attach
such men as husbands. Again, by a general scramble, the poorer and less
lucky folk get a good many windfalls otherwise unobtainable.
The roysterers flock off in a body, to make the round of the
encampment, stopping at every man’s house in turn. The owner goes
inside, makes a selection of all sorts of unconsidered
trifles—generally bits of sealskin used for the legs of boots, with
different kinds of sewing sinew attached—and, returning to the
vociferous crowd waiting outside, scatters these things broadcast.
There is a grand commotion and no end of noise, as the oddments are
battled for. As this performance is repeated at every house in the
village it necessarily takes some time.
Little information is obtainable as to the significance of these games
or ceremonies, or whatever the Eskimo themselves may consider them. The
annual pairing off doubtless serves to keep up the numbers of the
tribe. Women are always in excess of men, owing to hunting fatalities
among the latter, and other causes; and some of these, although
married, may be childless. The Sedna proceedings tend to remedy this
state of things to a satisfactory extent. The writer’s own idea is
that, in addition to the main responsibilities of the festival, which
rest on the shoulders of the Kiluktetok, the doings of the lesser
lights of the order of conjurors are designed more or less to keep
things going merrily and to establish themselves firmly in the
good-will of the community.
Public-domain text, read in full here on John Shaqi.
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