of mankind, before they too passed into its clutches. All along the east side of the palace stretches the Via Sacra, contracting at one point only its splendid width that it may pass through the gate that stands midway between the house of Nebuchadnezzar and the temple of the goddess Ishtar. The Ishtar gate--its name is attested by a cuneiform inscription--is the most magnificent fragment that remains of all Nebuchadnezzar’s constructions. Four or five times did he fill up the Via Sacra and raise its level, and each time he built up the brick towers of the double gateway to correspond. The various levels of the pavements can now be seen on the sides of the excavation trench, while the towers, completely disclosed, rear their unbroken height in stupendous masses of solid masonry. They are decorated on every side with alternate rows of bulls and dragons cast in relief on the brick; the noble strength of the bulls, stepping out firmly with arched neck, contrasts with the slender ferocious grace of the dragons, and the two companies form a bodyguard worthy of the gate of kings and of gods (Figs. 105 and 106). Along the walls of the Via Sacra marched a procession of lions, fragments of which have been found and pieced together. They, too, were in relief, but covered with a fine enamel in which the colours were laid side by side without the intermission of cloissons. This art of enamelling is lost, and no modern workman has been able to imitate the lion frieze. On the east side of the gate stands the little temple of Ishtar, raised on a high platform and commanding the city below. The temple is built of sun-baked brick, probably in accordance with hieratic tradition, which held to the ancient building material used in an age when the architects were unacquainted with the finer and more durable burnt brick. Small courts with side chambers lead into an inner holy of holies, where in a niche stood the symbol or effigy of the goddess. Behind the sanctuary there is a narrow blind passage where the priests could lurk behind the cult image and confound the common folk with mysterious sounds and hidden voices. The Via Sacra pursues from the gate its stately way, skirting along the edge of an immense open court that lay between the palace and the temple of the god Marduk, the patron divinity of Babylon. The mound in which the temple lies has not as yet been completely excavated, but a pit sunk in its centre has laid bare the walls of the entrance court. It will be no easy matter to continue the work here. The mound was thickly inhabited during the Greek and Parthian periods, and its upper levels consist chiefly of refuse-heaps. When the workmen cut down through them to reach the temple gate, the stench of the old rubbish-heaps, combined with the stifling heat of the pit, was so intolerable that their labours had to be interrupted for several days until a breeze arose and made it possible to continue them.