“And such plenty and perfection, see, of grass
Never was!
Such a carpet as this summer time o’erspreads
And embeds
Every vestige of the city....”
Had the poet been dreaming of Nineveh when he wrote _Love Among the
Ruins_?
“Shut them in
With their triumphs and their glories and the rest....”
We rode from Nineveh through blazing heat for four hours across a plain
where the peasants were harvesting the barley while the locusts
harvested the green wheat, which was not ripe enough to save. The sun
beat so fiercely upon us that I sought refuge in the house of the
village sheikh at ’Amrḳân, and ate in his guest-chamber a lunch which
was made more palatable by the sour curds which he set before us. An
hour and a half further we came to Mâr Behnâm, and found the tents
pitched upon the slopes of a mound above a deep round pool. On the one
side of our camp lay the monastery of Mâr Behnâm, on the other the
shrine that covers his grave.[155] The monastery has the appearance of
a small fort. Its outer walls have been many times ruined and repaired,
and the interior buildings, all except the beautiful church, are modern.
The doorways leading from the porch into the church and from the nave
and aisles into the sanctuaries are covered with lacework patterns,
interspersed with small figures of angels, lions and snakes, together
with Arabic and Syriac inscriptions. In the porch, between the two
doors, there is a small niche worked with arabesques, the very
counterpart of a Moslem miḥrâb. There are square chambers leading out of
the aisles, roofed with pointed domes which are elaborately worked with
stucco ornaments. Upon the east wall and on one of the piers of the nave
are two stucco plaques, one representing St. George on horseback, the
other a full-length figure of a saint. On both there are traces of
colour.[156] I paid my respects to the saint’s tomb in company with a
number of pilgrims from Môṣul who were spending the night in the
monastery. At dusk the villagers assembled under the mound, which marks
the spot as some small suburb of Nineveh, and watered their flocks at
the pool; I watched them from my tent door and thought that the scene
must have changed but little in the past three thousand years.[157]
[Illustration: FIG. 175.--ḲARAḲÔSH, DECORATION ON LINTEL OF MÂR
SHIM’ÛN.]
Public-domain text, read in full here on John Shaqi.
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