In the courtyard were a pair of peacocks, in honour, no doubt, of the Angel Peacock, who rules the age of 10,000 years in which we live, and is the symbol of him who must not be named. His bronze effigy is carried by the Ḳawwâls, the higher priesthood of the Yezîdîs, when they journey among the scattered communities of the sect, and to whatever dangers they may be exposed, it is said that the image has never been allowed to fall into the hands of infidels.[162] The Yezîdî women are neither secluded nor veiled, and when ’Alî Beg took me to see his wife we found her in the midst of her household, male and female, giving orders for my entertainment. She was a handsome woman dressed in a robe of purple cotton, with a black velvet cap placed over the muslin veil which was wrapped about her head and under her chin, but did not conceal her face. On her wrists she wore heavy gold bracelets set with turquoises. She talked nothing but Kurdish, so that my greetings and my gratitude were conveyed to her through the beg’s secretary, a Chaldæan from Alḳôsh. Few Yezîdîs can either read or write, such knowledge being forbidden to them, and I doubt whether the beg himself had any acquaintance with letters. In the women’s quarters I knitted an instant friendship with ’Alî Beg’s small son, Sa’îd Beg, and though we had no common language in which to express our feelings, our intimacy advanced silently by leaps and bounds while he sat upon the largest of my camp-chairs and watched me eat the sumptuous meal with which his father had provided me. When I had finished there was enough and to spare of rice and mutton, bread and semolina pudding and sour curds to satisfy all my servants and soldiers. Meantime the beg had made preparations for my visit to Sheikh ’Adî, whither two Yezîdî horsemen and all my four zaptiehs were ordered to accompany me, lest we should meet with Kurdish robbers in the hills. ’Alî Beg with a dignified retinue of elders, one of whom was a ḳawwâl who had that day returned from [Illustration: FIG. 179.--SHEIKH ’ADÎ.] [Illustration: FIG. 180.--ZÂKHÔ.] [Illustration: FIG. 181.--BRIDGE OVER THE KHÂBÛR.]