In thirty-five minutes from the camp we passed the mound of Balîjah with
Arab graves upon it; then for three hours we saw nothing of interest
until we came to the mazâr of Sultan ’Abdullah, a small modern shrine.
Somewhere near it are the ruins of Jabarîyeh, but they must lie closer
to the mazâr than Kiepert would have them. I rode on looking for them
for half-an-hour, and when I questioned ’Affân he replied: “Jebarîyeh?
It is under the mazâr. When you turned away I thought you did not wish
to see those ruins.” It was too hot to go back. We were now opposite
Ḳal’at Râfiḍah, a splendid pile upon the right bank of the Euphrates,
and here we left the caravan with Murawwaḥ to guide it and followed the
course of the river to Ḳal’at Bulâḳ, which the Arabs call Retâjah, an
hour and a quarter’s ride in blazing sun. We found there a small square
fort with round towers at the angles, the whole built of sun-dried
brick. Though it is in complete ruin, I believe it to be modern,
probably a Turkish ḳishlâ, but I saw some fragments of stone and mortar
building which are, at any rate, older than the mud fort, and the site
is so magnificent that it can scarcely have been neglected in ancient
times. The hill on which the ruins stand is all but converted into an
island by an abrupt turn of the river, which washes the precipitous rock
on three sides. The current is gradually undermining the high seat of
Retâjah and the greater part of the older stone building has fallen into
the stream. We had a hard gallop to catch up the caravan, and a long
pull over rocky ground before we sighted the river again, flowing in
wide and tranquil curves under the sunset. On either side the banks were
lined with naouras, the Persian water-wheels. The quiet air was full of
the rumble and grumble of them, a pleasant sound telling of green
fields and clover pastures, but there were no villages or any other sign
of man. As I looked, I knew that we had passed over an unseen frontier;
whether the geographers admitted it or no, this was Babylonia.
Public-domain text, read in full here on John Shaqi.
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