All signs of "authority" had gone from him now. But wind and voice
alike were ineffectual. Apparently it was easier to hypnotise than to
do the other thing. In his trouble Mr. Pownceby told himself that the
writer of that pamphlet was--well, untrustworthy. Or else something
had gone wrong in the working. But what could it be? He looked at his
watch.
"Half-past twelve! I shall have her husband here directly. I imagine
that he will make some observations if he finds his wife like this."
Such a contingency was only to be expected. When a man, after long
absence from his wife, returns to find a stranger experimenting on
her, and she in a "hypnotic" condition, from which the stranger cannot
release her, his first feelings towards that stranger are not, in
civilised countries, invariably friendly. Mr. Pownceby, when he had
blown the "cold wind" all out of him, arrived at a resolution.
"I will tell Doris. I must get her to help me. It is quite certain
that, whatever happens, I mustn't let that man come and find me alone
with his wife."
It was only the dread of such a catastrophe that brought him to the
"sticking-point" of his resolution. Miss Haseltine--christened
Doris--was Mr. Pownceby's betrothed. She also was wintering in the
hotel with her mamma. Mr. Pownceby was aware, even painfully aware,
that the young lady's feelings towards Mrs. Pratt were not of the
warmest possible kind. He was equally conscious that her impression
was that his feelings were, if anything, _too_ warm. He would rather
anything had happened, almost, than that he should have been reduced
to the necessity of acquainting Miss Haseltine with the situation he
was in. But it was certainly impossible for him to allow the returning
husband to come in and find him there, alone with his wife, and she
apparently in a chronic hypnotic condition.
So he went in search of the young lady. Of course he found her where
he would have least wished to find her--in the drawing-room with the
ladies. He had to call her out, and at first she wouldn't come.
But as it would have been impossible for him to tell his tale in the
presence of a dozen sharp-eared and sharp-tongued women, he protested
that there was something of the utmost importance which he must say to
her alone. "Well, what is it?" she asked, directly he had got her
outside the door. He perceived that she was not in one of her
sentimental moods. Perhaps something in his manner had roused her
suspicions.
"Mrs. Pratt has fainted."
"Indeed? What has that to do with me? Let her faint. She looks to me
as though she were the sort of person who could faint at pleasure."
"Doris, for goodness' sake hear me out; I want your help. It's through
me she's fainted."
"Pray what do you mean?"
Public-domain text, read in full here on John Shaqi.
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