"Try not to be insane."
The Vicomte glared at her with a glare which, at least, was
characteristic.
"Why do I not kill her--why?"
The lady only smiled.
"They say that a woman is devoid of humour. How is it then sometimes
with a man? You, Philippe, are always thinking of the Porte St.
Martin--I, of the Bouffes Parisiens."
The Vicomte turned to his friend.
"Victor, why do I not kill this woman?"
M. Berigny only shrugged his shoulders. Possibly because he was not
ready with a more adequate reply. The lady turned to the artist.
"Monsieur, I offer you ten thousand apologies, which my husband will
one day offer you himself, as becomes a gentleman of France."
The Vicomte repeated his inquiry:
"Victor, why do I not kill this woman?"
Only a shrug in reply. The lady went on:
"You have immortalized my poor face, Monsieur; my husband insults you
in return."
The Vicomte folded his arms across his chest.
"It is certain, Victor, that she still lives!"
"One night, Monsieur, my husband locked me in my room. He designed to
make of me a prisoner. Why? Ah, do not ask me why? When he had left
me, I escaped, not by the door which he had locked, but by a door he
had not noticed. This door led into an apartment in which there was a
stranger sleeping. I was but an instant in that apartment--but the
instant in which it was necessary to pass through. The sleeper never
spoke to me; he never saw me with his waking eyes. But, even in his
sleep, my poor, frightened face so flashed upon his brain that, even
in his waking hours, it haunted him so that he made of it a picture--a
picture of that Vision of the Night!"
The Vicomte approached closer to his friend. He addressed him in a
sort of confidential, but still distinctly audible, aside:
"Victor, is it possible that this is true?"
"I beg, my friend, that of me you will ask nothing."
"Monsieur, this morning I was at your Academy. I saw my own
countenance looking at me from the walls. For the first time I learned
that my poor, frightened woman's face had appeared to a sleeping
stranger in a Vision of the Night. Oh, Monsieur, Monsieur!"
The lady covered her face with her hands. It would, perhaps, be rash
to say that she cried; but, at least, she seemed to cry, and if it was
only seeming, she did it very well.
"Victor," again inquired the Vicomte of his friend, "is it possible
that this is true?"
M. Berigny wagged his finger in the Vicomte's face.
"D'Humieres, it now becomes a question of hats." The Vicomte laid his
hand on his companion's arm.
"One instant, Victor--still one instant more."
The lady, uncovering her eyes--which actually were sparkling with
tears--continued to address the artist.
Public-domain text, read in full here on John Shaqi.
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